SWEDISH PROGRESSIVE / PSYCHEDELIC ROCK & CHAMBER-ROCK
review page 5

My Brother The Wind ('11)
Trummor & Orgel ('11)
In The Labyrinth ('11)
Dean Allen Foyd ('12)

more will be added later

       (<--page 1, <--page 2, <-page 3, <page 4)
Record Heaven  My Brother The Wind : I wash my soul in the sream of infinity (S,2011)***

When I read about this band, consisting of Nicklas Barker from Anekdoten, Mathias Danielsson of Makajodama/Gösta Berlings Saga, Ronny Eriksson of Magnolia and Tomas Eriksson, this sounded pretty much like a super group so I was curious to hear. However, it seems like I had already forgotten their first album, otherwise I would have known what to expect. This is much more a jam band than a progressive band, in a very relaxed and never surprising way, playing the kind  of psychedelia I begin to be fed up with. It is just nice but while using formulas used a few too many times before. This is relaxed drums, slow electric guitars droning in space, simple chords picking on electric guitar, some organ, echoing cymbals, bluesier themes, softly rolling drums, endless hazes, a bit of mellotron and sitar, repetition and increasing forwardings in time of a stoned vibe. 

Info & audio : http://www.myspace.com/mybrotherthewind
Band info : http://www.progarchives.com/artist.asp?id=5692
Label info : http://www.recordheaven.net/...
preview release  Trummor & Orgel : Out Of Bounds (S,2011)***°

I can’t help but provide at least one short review of this Swedish band and their fourth release. Even if this is only a duo they create a great band sound of Hammond organ with drums only. This goes all the way from 60s lounge and psychedelia and R&B over a touch of jazz (the drumming especially) to a few more modern rhythm, still lounge related but more modern grooves. Sometimes it is more relaxed, more like song instrumentals, I can’t help but get the feeling of happiness throughout the album, a feeling of a comfort room and the best conditions being there. The tracks are never too long so they are successful like an album of instrumentals based kind of upon song related tunes. Very pleasant !

Video : http://www.youtube.com/...
Homepage : http://www.trummororgel.com/  & http://www.myspace.com/trummorochorgel
Group info : http://www.cosmosmusicgroup.com/press?category=84
& http://www.last.fm/music/Trummor%2B%2526%2BOrgel
Other reviews : http://happeningmagazine.blogspot.com...
& http://www.vanguard-online.co.uk/... & http://www.no-other-publicity.co.uk/...

Other Hammond organ based releases I have reviewed to check out :
* Men From S.P.E.C.T.R.E. on http:// www.psychemusic.org/prog20.html#anchor_222
* Decoy : http://www.psychemusic.org/prog12.html#anchor_161
Trail Rec.In The Labyrinth : One Trail to Heaven (S,1994-2011)****

I still remember very well the previous In The Labyrinth releases with lots of instruments being used, a musical fantasy that sounded like visiting the whole world as an exotic place, and the side project called Orient Squeezers with more Indian and psych associations of influences. Peter Lindahl compiled here some 60 minutes of material out of his three ITL releases, with new mixes, combinations of songs and a few unreleased tracks to form a new, well hanging together limited edition album. The sound is a bit more stuffed than before, almost too perfect so that it sounds a bit more dense and clean as a studio project, without spatial progresses of surprises. Returning ideas are the kind of middle eastern Ali Baba fantasies dominated by oud and tablas, finished off with keyboards and different (acoustic and electric) guitars (-I guess there are a few electric guitar passages added especially for this release-), and secondly, a few returning moments of songs with a progressive, almost symphonic and acoustic-based feel. The studio setting gives the exotic story-line that small association with those Dead Can Dance inspired bands, although Peter’s music has more story and melodic body in it, within the time frames. In The Labyrinth is a well-chosen name that gives the right association before imagining with the hearing process the unfolding world expressed with it. For this it is no surprise to know Peter is also a painter of such visions onto canvas.

In The Labyrinth is Peter Lindahl on vocals, background vocals, mellotron, viola da gamba, electric guitar, electric bass, saz, zither, Spanish, Western & twelve string guitars, mandolin, baroque travérs-flute, quena, recorders, samplers, synthesizers, piano, melodeon, darbouka, daf, percussion, sound effects & programming ; Håkan Almkvist on sitar, E-bow guitar, electric bass, tabla and sound effects.
Appearing more sporadically are :
Helena Selander on angelic voice improvisations and background vocals, Robert Eklund on arch lute on “Cities”, Mikael Gejel with sampler on “The garden of mysteries II” and flute on “Moorish Rhapsody”, Helena Jacobssen on background vocals on “Moorish Rhapsody”, Stefan Andersson on electric bass, accompanying guitar and slide guitar on “The Endless City”, Kristina Fuentes on background vocals on “Muscarin Madness”, Natali Knutzen on background vocals on “Cities”, Karin Langhard-Gejel on shared background vocals on “Monsoon”, Ulf Hansson on darbouka on “The garden of mysteries II” and Marcos Chagallo on violin on “Cities”.

Background biography on the musicians (compiled in cooperation with Peter Lindahl):

A bit more background on the musicians : Peter Lindahl around 1977-79 played quena flute in Coiron which was a Latin American band focused on performing music from Peru, Bolivia, Chili, etc. The band toured for a couple of years. The instrumentation comprised largely the traditional items of the Andes, meaning pan flutes, quena and tarka flutes, Spanish guitars, charrango, bombo (drum from Paraguay), a variety of percussion but also viola da gamba, violin and travérs flute, while they also sang in multi-layered harmonies. For a while they were becoming well known as far away as Germany but they never toured outside of Sweden. The band diminished after the band leader Gaston Willaman died about 10 years ago. Their final CD consisted merely of Gaston and a musician from Uruguay named Rickardo Collazo. During the 80s Peter busked around playing at smaller venues and at a few bigger establishments, then he took part in a trio called 'Ljungeld' (meaning lightning) which consisted of two of his oldest friends, and Stefan Ottman who along with Peter is responsible for the forthcoming In The Labyrinth album 'Samas antaral' which is still in the works. Ljungeld was mostly a 'live' act but they did make a considerable amount of demo recordings.
At the same time Peter was also engaged in a trio called 'Aladin's lampa' (Aladin's lantern) which in the early 90s evolved into Labyrint and then later In The Labyrinth. The line up for this band was an ever changing one, though some members remained consistent, that is Mikael Gejel, Ulf Hansson and Peter. One of the musicians who came and disappeared quite hastily was Stefan Andersson, with whom he had yet another side project in the late 90s writing and recording songs in the vein of Gothic rock with an inclination towards fantasy authors such as H P Lovecraft. One of the tracks on 'One trail to Heaven' is a recrafted, cut down version of one of their songs, once called 'Relic' but now renamed 'The endless city'. This duo, which they called Lovecraft never went out live but they made quite a few recordings.
Besides this Peter Lindahl has been working sporadically with lots of other musicians, mainly in his own studio, though nothing really serious. A few cassettes and CDs have been released on a smaller scale in Sweden and abroad where he either produced music for meditation and relaxation or just played the flute (with lots of echo) on a variiety of albums.

Håkan Almkvist has been part of many bands, to start with, Helmer mudd which was very much his own creation and had their seat in Uppsala north of Stockholm. In fact, he's always been active in that town, occasionally paying Stockholm a visit to participate in various festivals, often with a connection to India.
The most important achievement of Håkan's (apart from playing with In The Labyrinth) is in Peter’s opinion Orient squeezers which incorporates such musicians as Hans Bruniusson (once the drummer of Samla mammas manna) although it is basically a one-man-band-thing with Håkan doing everything himself from playing the sitar to creating arrangements with sampled, oriental percussion-loops, synthesizers, electric guitar, bass and sound effects. This summer he went out 'live' with this concept by bringing together a number of musicians from Uppsala and one even from India who plays tabla. Three CDs by Orient squeezers have been released so far on his own label in co-junction with Record heaven while one 'live' album is being prepared for release eventually.
In the 90s Håkan was very much engaged in another one of his creations, Ensemble Nimbus. Hans Bruniusson played drums there as is often the case with Håkan's projects. They released three CD albums on an international scale and have yet another album in the works somewhere.
Also Håkan had a project in the vein of experimental ambient music called 'Tweendeck 2'. The other member of this duo was Lars Ek on clarinet, while Håkan took care of all the sampled sounds and percussion.

Helena Selander has never really gone out public with her talent, apart from singing in ITL, but has sporadically recorded both her own music and others' compositions in Peter's studio during these past 20 years. Besides In The Labyrinth her interests lie in country, Irish and Spanish music but she has also contributed to several of Peter Lindahl’s albums aimed for meditation and relaxation, from which the last song of 'One trail to heaven' has been extracted and subsequently cut down from over 20 to 5½ minutes.

Robert Eklund has a classical background, playing a wide variety of lutes but also celtic harp, ukelele, acoustic and electric guitar, piano, keyboards, etc and is also a proficient singer. For a year or so Peter and Robert were both engaged in a quartet named 'Sefardia' together with a female vocalist from Uppsala and Miriam Oldenburg who played the accordion.

Mikael Gejel had a trio together with Stefan Ottman and Peter in the mid 70s which they called Karlavagnen (i. e. Ursa major). They performed here and there in Stockholm and were known to use an unorthodox setting for their 'live' acts where they varied between instruments like sitar, tabla, recorders, quena flute, acoustic guitars, melodeon, jews harp, acoustic guitars and vocals. 'Karlavagnen' and 'Aladdins lampa' set the base for what much later would evolve into In the labyrinth.
Other acts of Mikael are: Vilmejds lekare (late 60s - early 70s), Drakhjärta (with, among others, Karin langhard-Gejel, this band having been active in more recent years), but also in those already mentioned, Karlavagnen and Aladdins lampa.

Helena Jacobssen has been vocalist in quite a few rock bands though Peter can’t recall what they're called since it's not the kind of music he would go by. For a while in the mid 90s she, Stefan Ottman and Peter had some things going on the side but this was just for fun. Today Helena lives with Mikael Gejel with whom she has a lot of common interests, like healing, ancient spirituality and higher teachings playing on the old masters.

Stefan Andersson has already been mentioned in the text about Aladdins lampa (Aladdin's lantern) in the Peter Lindahl section. He plays both electric guitar, bass, percussion and sings in Lovecraft while in Aladinn's lantern he kept mostly to his electric guitar.
 
Kristina Fuentes was only engaged in two different songs on the third ITL album, Dryad. During the 90s she was involved as a singer in her brother's ethnical Latin-American band called Soledad and before that during a couple of years in the Chilean band Rucali which regularly performed all over Sweden and which cut two of their albums with Peter as their recording engineer. Brother Alejandro's band Soledad was also engineerd by Peter in the 90s.
 
Natali Knutzen was part of a band called Cassiopea and also Beabella, which still appears to be active. One of the In The Labyrinth's violin players Marcos Chagallo used to be part of the afore mentioned  group too.
 
Karin Langhard-Gejel See notes about Aladdins lampa!
She was a part of the early line up of ITL but vanished in 1994 after a few years of activity.
 
Ulf Hansson Same with Ulf, or Darbouka-Ulf as they used to call him. He disappeared without a trace after around 1995 or 96. Before putting together Aladdins lampa with Mikael Gejel and Peter in 1980 he used to play with several other musicians and bands often leaning on Balkan traditions.
 
Marcos Chagallo played the violin on many tracks yet to be released by ITL and on a few which did see the light of day as inclusions on various CD compilations, like 'Cities' (Mellow records), The black plague (Gew gaw) and 'Rökstenen' (Musea). He was active with ITL mainly around 2004 - 2009. He was also once part of one of Natali Knutzen's bands, for which Peter made a demo about 6 years ago.
Marcos's predecessors on violin with ITL were Micke Lövroth and to some degree Kirk Chilton, who also played with Håkan's band Ensemble nimbus, but they did not participate on any of the tracks belonging to 'One trail to heaven'.

Audio : http://soundcloud.com...
Label info : http://www.trailrecords.net/
Homepage info: http://www.inthelabyrinth.com/ComingUp_ITL_November_2011.html
Crusher Rec.Dean Allen Foyd : The Sounds Can Be So Cruel (S,2012)****

When I listened to this album at first I thought this was a reissue of some unknown rock band from the 70s. It was only when I started to check out the info about the band that I realised this was a new Swedish band. How does it come that Sweden is one of those few countries that succeed in the continuation of such sounds ? I really must say that only the Scandinavians can deliver groups like this, continuing the traditions of the 70s without losing anything essential. It is especially the first couple of tracks which blow you away. It is hard to believe with such a power band sound that this is basically only a trio.

The band consists of Francis Rencoret on guitar, slide guitar, vocals, theremin, percussion ; Fredrik Cronsten on bass and Wille Alin on drums, vocals, Hammond organ, piano.
Additional help came from Alex Jaramillo on guitar, percussion, organ, piano ; Filip Gloria on first violin, Mattias Hidemo on second violin ; Daniel Lindblom on viola ; Sabina Sandri Olsson on cello ; Erik Sundin on flutes ; Anna Myrsten on additional vocals.

On these first four tracks there are many layers of electric guitars, to a degree of saturation without feeling too stuffed, and it is mixed carefully in the studio. We hear rather fast and slightly stamping rhythms with use of very clever breaks on the first few tracks making this a thrill to listen to, with all its grooves and heaviness and 70s vocal harmonies too. With a bit of flute to it, it hardly can get better with a slightly bluesrock association and a touch of old school hardrock grooviness. After that it becomes clear that most of the inspirations are rooted into blues & R&B, with more relaxed songs too, not forgetting to add a few interesting arrangements (like some strings on the last track). I can hear the early bluesrocking Captain Beefheart association which was given when listening to the sixth track, “Steady Rollin Man”, especially in the guitars. For the jammed blues part of the band Dean Allen Foyd fit well enough with the new (German,..) psychedelic bands too.

Video : http://www.youtube.com/...
Info & audio : http://www.myspace.com/deanallenfoyd
Intro : http://thesodashop.wordpress.com/...
Label info : http://www.crusherrecords.com/?page_id=449
& http://www.crusherrecords.com/?page_id=535
Description : http://www.clearspot.nl/...
Other review : http://www.muzikreviews.com/reviews.php?ID=2090




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NEW AND REISSUED PROG/PSYCH FROM SWEDEN

PS. : Some more reviews of Swedish prog folk / Acid folk
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next Swedish acid Folk / psych-Folk/folk-Psych page->



hard rock bands Sgt.Sunshine & Graveyard are reviewed on http://progressive.homestead.com/prog23.html#anchor_264
& http://progressive.homestead.com/prog23.html#anchor_297

Radioshows playlists on Swedish prog :
http://psychevanhetfolk.homestead.com/files/sweden-norway-prog.txt
http://www.psychevanhetfolk.homestead.com/files/SWEDEN.TXT

Swedish prog intro : http://m1.155.telia.com/~u15509329/progressivhistoria.htm


Other important Swedish labels for prog/psych :
Silence Records : http://www.silence.se/default_eng.htm
with some intro : http://www.silence.se/omoss/omoss_eng.htm
Ad Perpetuam Memoriam : http://www.undergroundsymphony.com/mellotronen02.htm
Mellotronen : http://www.mellotronen.com/
http://www.undergroundsymphony.com/mellotronen.htm (and more..)
Transsubstanse Rec. : www2.recordheaven.net/Transsubstans/index.htm

Swedish prog encyclopedia : http://www.progg.se/



or go back to
progressive music / psych index
or to general index with more entries