SPANISH PSYCHEDELIC & PROGRESSIVE MUSIC, HEAVY ROCK, R.I.O.
review page

new bands :
The Knife ('03)
Unoma ('02-'03)
Psicotropia ('03,'07,'10)
Amarok ('01,'04)
Mundo Espectro ('05)
Bijou ('05)
October Equus ('05,'11)
El Paramo ('08)
Aleppo Pine (link) ('10)
Za! ('11)

reissues :
Tapiman ('71)
Agamenon ('75)
Daniel Vega ('76)
Las Grecas ('74)
Fusioon ('73/'11)

Private    The Knife : (Conversations in) a lifeless room (SP,2003)*** 

For those interested in hearing very Van Der Graaf Generator like sounds in symphonic rock this is the group to hear. The group sound works, piano and electric guitar solo's are really fine. I only had to listen twice before getting used to the vocals, but with a VDGG association they sound more than acceptable. A nice release...

Webpage : www.theknife.tk  or http://usuarios.lycos.es/theknifer/
Soundfile of one track (not the best starting track, but it gives an idea) :
http://www.mans-hq.net/dolly/web/mp3/slothfully.mp3
Other introduction : http://www.dlsi.ua.es/~inesta/Prog/New/knife_conversations.html
Luna Negra/Musea/Margen   Unoma : Croma (SP,rec.2002,iss.2003)***°

The first couple of tracks shows some splendid guitar playing with true emotion and perfect progressive fusion accompaniments, especially the titletrack "Croma". But also "Black Hole" is very good, with additional various beautiful melodically rich prog rockfusion improvisations.
The following track "The Bird" has additionally some sparse, odd fast moving, distant electronic rhythms here and there.
"Magic Tour" has a bit more specific inspirational elements, with references from rock, blues, prog to Spanish flamenco, with other touches of modern electronica, luckily mixed a bit more in the background.
Last track is a 15 minute suite "In the name of God" starts with acoustic guitar and more band arrangements. After 5 minutes Fidel Vázquez Sanglas starts to sing some part in it as well, with, personally somewhat disappointing with a light weight voice. The same song has also more wonderful (neo-) symphonic keyboards arrangements. Obviously to say this guitarist is extremely talented and he succeeds to compose perfect tracks, influenced by lots of ideas. I like especially his guitar style, with the band accompanying.

I personally wished the music would have remained a complete instrumental album, which it also is for 90 % of the album.

Info : http://www.unoma.net/_eng/home.html Contact : croma@unoma.net.
& http://www.dlsi.ua.es/~inesta/Prog/SPE/unoma.html
Label contact : lunanegr@prodigy.net.mx
Label info : http://www.energiash.com/lunanegra/
Distr. Musea Rec. info : http://217.128.227.4/mps/newreleases.html?chosen_genre=1#11
Luna Negra/Musea /Margen     Psicotropia (SP,2003)****

With some influences of King Crimson, of heavy prog rock and progressive arrangements, with a more than descent rock complexity, always in a accessible way, with a beautiful powerful male soulbluesrock voice (at track 2), with a Jethro Tull like flute (mostly track 7), with nice additional cello and some arranged, almost symphonic rock arrangements (track 4), some very individually styled composed progressive rock (track 6, and 9), or nice heavy rock with various tempo changes (like track 8)... this cannot go wrong any more...

The ninth track, "Oigo Voces" combines every aspect of this group in its most brilliant way.

Last track, "Delicada Sal Titánica", surprisingly is a beautiful poem narration mostly on piano. A brilliant closer for a perfect release !

Within all musical changes, the music gives a surprisingly consistent listen. This approach will not only appeal to many, but also deserves its world wide praise in the progressive rock scene !

Audio : http://www.myspace.com/psicotropia
Homepage (slowly opening flash) : http://www.iespana.es/Psicotropia/
& (SP) http://usuarios.lycos.es/portalesquizofrenia/psicotropia.html
Contact : ptato@mixmail.com or psicomail@mixmail.com
Info : http://www.indyrock.es/psicotropia.htm
http://www.dlsi.ua.es/~inesta/Prog/SPE/psicotropia.html
Review (SP/Eng) : http://www.dlsi.ua.es/~inesta/Prog/New/psicotropia_psicotropia.html
Spanish review : http://www.todaslasnovedades.net/documentos/2003/noviembre/destacados/Psicotropia.htm
Mus.Rec.-entry (Eng/Fr) : http://217.128.227.4/mps/newreleases.html?chosen_genre=1#10
Spanish article with pictures :
http://www.iespana.es/Imagina-web/re/uniweb/Conciertos/Html/Propios/OmniPsico.htm     next->
Psycofonia Rec.  Psicotropia : Grog -cd-/ Live DVD (SP,2007)****

Psicotropia have evolved well since their debut, and it is about time there was a second album.

I can understand very much how many of the dealers/collectors got tired of the prog genre since the 80s because there has been tons of mediocre melodic & content-less vague repetitions of what once was inspiration. But I am sure that a group with good doses of technical skills and ideas, hardrock-like vocals, and an overall clarity in their arrangements (in a way like Italian 70s prog was in general), or a group like Psicotropia could change their mind. They also take the best of elements with details of playing I have heard before with some groups (I cannot recall all), from various genres and periods, like a doses of Anekdoten on “Vij”, some Primus-like bass elements with funky touches and breaks, some technical metal, skilled composition in the direction of Ruins, a bit of 70s progressive hardrock, a bit of metal riffs, calmer prog and rock with guitars, Rock In Opposition, and even jazz. 

Psicotropia is only a Trio, but there are many moments which give the impression, when hearing their sound, they are with double as many members.

Psicotropia is Pedro Tato on guitar & vocals, Jaime Mariscal on bass & keyboards and Juan Llull on drums. Two tracks received help from Kotebel’s keyboard player Carlos Plaza, and Jésus Dario and Alberto Nieto on violin, and Ivan Carames on cello.

The video gives very much the impression of a concert, seen from various directions and viewpoints. I liked especially watching the bass player doing some clever things, also with great interactions of the guitarist who also sings. It was here I realized how this was the result of just three people.

Audio : http://www.myspace.com/psicotropia
videos : http://www.psicotropia.com/you.html & on youtube
Small introduction : http://www.dlsi.ua.es/~inesta/Prog/New/psicotropia_grog.html
Other reviews : http://www.progarchives.com/album.asp?id=11265
& http://www.progressor.net/review/psicotropia_2007.html
& http://musea.musearecords.com/re_new_releaseselect.php?np=34736
Spanish reviews : http://www.articmist.org/criticas/grog.htm
& http://www.rockcore.com/reviews-142.html & on http://www.elalmacendelrock.com/...
Homepage : http://www.psicotropia.com/    next-->
Luna Negra          Psicotropia : 3 (SP,2010)****/***°

Psicotropia's latest release has many songs in them. The musical elements comes from hard and heavy rock, progressive rock and technical rock, though the songs themselves keep the tension soft and smooth. There is thoughtful attention to instrumental passages, with arrangements with technical interesting guitar work, with fine details in the arrangements, including some complex rhythmic frames and a couple of orchestral violin arrangements, a few near-classical parts with some slower developments, and a bit of funky bass. There are a lot of changes in details that keep the band's songs interesting the whole time. The album develops well, and then brings the listener to these progressive passages. A fine album.

Audio : http://www.myspace.com/psicotropia
Other review : http://www.progarchives.com/album.asp?id=28618
Luna Negra     Amarok : Quentadharkën (2004)***°

older albums mentioned in the introduction :
SBS Rec Amarok : Els Nostres Petits Amics (1994)*°
Sonifolk Amarok : Canciones de los Mundos Perdidos (1994)***
Sonifolk   Amarok : Gibra'ara (1997)****
Technosaga   Amarok : Tierra de especias (2000)****
Luna Negra     Amarok : Mujer Luna (2002)***°

Starting with 'Canciones de los Mundos Perdidos' I noticed that this (Catalonian) band Amarok started making interesting symphonic compositions with a combination of art folk and various ethnic (Middle Eastern and other) influences, developing into a very unique style around the time of ‘Gibra’ara’, with a highpoint CD of ‘Tierra de Especias’, making me one of the fans. With their follow-up, 'Mujer Luna', having received more attention from the progressive rock field, they also started to make more symphonic rock compositions. This resulted with this release in a bit more loaded symphonic rock style.

The album now is definitely more composed as 'symphonic rock'. Like before, most compositions alternate very much, using instruments like flute, bass, Middle Eastern instruments (percussion, santour, saz) violin, sax, kanun, autoharp, charango (-a South American guitar-lute-), marimba,.. and electric guitar (like you can hear on the first track, “Hsieh”). But more than one composition has much more keyboards and electric guitars than before, which directs them only a bit more into the more melodic neo-symphonic genre, like on the second track “La Ultima Expedicion”, although it still has a flamenco song drive here, or many other variations elsewhere. After the more acoustic track, “Encantamiento”, “Tierra Boreal” is one of the most composed pieces with multilayered almost classical inspired composition.
La Espira” after that, has also Middle Eastern parts in composition / rhythm and in the improvisational singing, changes then again with additional didgeridoo, harp etc, like previously, without any shortage of ideas and influences. But compared to the earlier stage it still is more “loaded” in its specific use of symphonic rock.
In the long symphonic composition “Quentadhärken” I really like the band sound, and we hear more often the beautiful voice of lead singer Marta Segura.

The compositions themselves are, like before lead by Robert Santamaría, who also is a doctor in Palaeontology, which explains his wide cultural interest and use of varied, world instruments.

First bonus track, "Laberintos de Piedra 2004" is a funkier symphonic -live ?- variation with some fusion improvisation parts etc. of a piece which occurred on an earlier album.

The other three bonus pieces show again the 1998 group and the fact at that time the compositions were calmer in evolution and with less multilayered arrangements. Like before, another nice album which might interest symphonic rock listeners even more.

Homepage Amarok : http://manelpm.eresmas.net/amarok.htm
Discography with soundfiles of other albums : http://manelpm.eresmas.net/amarok/discoang.htm
Spanish review : http://progresiva70s.com/nuevos_albumes4.htm#Amarok:%20Quentadharkën,
& http://www.dlsi.ua.es/~inesta/LCDM/Discos/amarok_quentadharken.html
Musea Rec. entry : http://217.128.227.4/newreleases.html?chosen_genre=1#8
Small entry on Amarok (in Spanish music encyclopedy) : http://www.dlsi.ua.es/~inesta/Prog/SPE/amarok.htmlone more album next
Progrock Rec.     Amarok : Sol de Medianoche (2001)****

Amarok shows their strength on this album with a wide range of acoustic instruments, an acoustic symphonic foundation of near-classical progressive arrangements, based upon melodic evolutions with some themes that are also rooted in folk, like some Irish folk themes, an eastern folklore vocal arrangement, the Iranian way of playing the santur, sporadic Moorish-Andalusian percussive ideas. Most of these ideas come from Venezuela born band leader Robert Santamaria. Further on we have a great female vocalist, and flutist who brings some great new ideas to the arrangements. And here we also have lots of guests (trumpet, backing vocals, the steelpan)like vibraslap, electric guitar, violin,...). On the last track Amarok shows their version of ELP's “Abaddon's Bolero”, less rewarding as a keyboard-based idea, but it shows Amarok version of the fact, like a being in depth to this group. Also Robert S. uses hammond organ here and there, convincingly but his ideas show much variety than that, rooted in a world's and Music For the whole world's perspective. One of the so many great albums from Amarok, making them still one of my favourites based in Spain.

Label info : http://www.progrockrecords.com/artists/view.php?id=75 & with audio here
Info on http://manelpm.eresmas.net/amarok/discoang.htm
& http://manelpm.eresmas.net/amarok/7discoang.htm
Other reviews on http://www.progressiveworld.net/...
& http://www.progressor.net/review/amarok_2007.html
& http://www.progressiveears.com/...
& http://www.progarchives.com/album.asp?id=15158
& http://www.seaoftranquility.org/reviews.php?op=showcontent&id=5397
Dutch review : http://www.lordsofmetal.nl/showreview.php?id=9771%20
Discos Necesarios  Mater Dronic : Mundo Espectro (SP,2005)****

This trio of bas,drums,guitars, with many guests playing different instruments, claims to be influenced by Hawkwind, which is hardly noticeable, and by Bevis Front, but also here is no domination of this influence.

The group has its specific, strong sound with just passages of psychedelic instrumentals with spacerock touch and with space for various guitar solos, which are sometimes rather flippy / freaky.

More than half of the tracks are rather emotionally sung, rather calm songs, with its own beautiful improvisation element. “Máscaras de cielo” is more acoustic. “Sin Fin” might be my favourite track. It has a great, rather jazzy piano improvisation on the bass/drum psychedelic rhythms and some keyboard instrument which sounds in between a sax and a harmonium, by guest musician Thomas Runquist. Occasionally there are also some “wah wah” female vocal improvisations here too. A very strong, recommended debut.

Limited edition to 1000 copies.

Audio : http://www.mu4us.com/artista.php?id=11115466 & http://www.myspace.com/materdronic
Info : http://www.cinecult.com.es/materdronic.htm
Other review at http://www.kozmik-artifactz.com/katalog_reg_mp_en.htm
Spanish review : http://www.mentesdeacido.com/discos/m/re-materdronic.html
Luna Negra/Musea/Margen Rec.Bijou : El Profeta (SP,2005)**'

This neo-symphonic rock styled album is melodically based upon the idea of classical music but this is with a more simplistic, fluent and constant rhythm. This kind of rhythmic aspect together with the deliberate rock-riffs gives the symphonic composition and music something predictable. Within this range and limitation the music I'm sure will still be attractive to neo-symphonic music lovers, but might be disappointing to those expecting a true musical challenge. The latest 3 tracks are compiled as one bigger piece. This is the album's second edition.

Info : http://www.energiash.com/lunanegra/catgral.shtml?bijou
Other reviews : http://www.progarchives.com/Review.asp?id=54063
& http://www.progvisions.i12.com/main/reviews_ae_uk.htm
Spanish reviews : http://usuarios.lycos.es/portalesquizofrenia/discos/bijou_elprofeta.html
& http://www.geedorah.com/leer.php?id=292
& http://www.dlsi.ua.es/~inesta/Prog/New/bijou_elprofeta.html
Guerssen Rec.Tapiman (SP,rec.1971)****

The band was formed by left over members from Maquina! when two of their most important members were forced to join the army. With a few more changes for the same reasons, Tapiman for this release became a power-trio, with the former drummer of Maquina!, Joseph “Tapi” Vilaseca, and features Max Sunyer on guitar (who afterwards joined the jazzfusionrock group Iceberg, and played with Pegasus).

The music is a Cream-like hard driven rock, with now and then pretty freaky guitars and perhaps also a rock style reminiscent ala Hendrix, especially on “Don’t Ask Why”. Never the less the hard drive is never pushed, but springs forth from its own inner natural force / source / acid. The drummer Tapi also plays some organ on "Paris". The great instrumental "Moonbeam" used some more Latin-exotic rhythmic idea, an original hard rock interpretation of something which isn't. "Jenny" is a more emotional softer song, with some freakouts. The last LP track has some improvisations on organ.

The band's two singles, were also included. They show the basics of the band. "Hey Man" has basics of pretty raw aggressive lead vocals the electric guitar, bass and drums, with some additional arrangements of great vocal harmonies, flute and some organ. They are surely worthy of inclusion, and show how the band evolved to the LP.

Audio : "Jenny","Gosseberry Park"
Band info : http://www.dlsi.ua.es/~inesta/Prog/SPE/tapiman.html
Info on Max Sunyer : http://www.gamarock.com/gama2/guitmest/maxeng.htm
Label info : http://www.guerssen.com/productes.html?prod=6761
Other review : http://www.peterjolly.co.uk/music_023.htm
Guerssen Rec.Agamenon (SP,rec.1975)****

At the time when his album was released nobody had seen a copy, because there was no effort put into distributing this.

The album holds the middle between a couple of influences. First of all there’s the sunshine pop which is under influence of the Mamas and Papas. Band leader Carlos Garcia and his sister were big fans of the Mamas and Papas and started doing covers. The female harmonies elsewhere could also have some Jefferson Aeroplane-like harmonies, with an additional male vocalist. But at the same time the band at this stage had a variety of talents brought together by circumstances. Some arrangements have great psychedelic rock interplays, a bit of wild organ, some driven and fast acidic electric guitars, but not just anywhere. The combination of all this makes it a hippie rock/pop album worth investigating.

Audio : "Al Salir El Sol" ; "Happy Marriage, Eleanor", "Todos Rien De Mi", "Wooden Tears"
Band info : http://www.dlsi.ua.es/~inesta/Prog/SPE/agamenon.html
Label info : http://www.guerssen.com/productes.html?prod=7294
or http://www.woodlandrecords.com/proddetail.php?prod=GUE001
Fonomusic  Daniel Vega : La Noche que precede a la batalla (SP,1976)****'

review of this musical epos you can read at
http://www.psychedelicfolk.com/reissue3.html#anchor_141
Ma.Ra.Cash Rec.   October Equus (SP,2005)***°

This album by October Equus shows that they are an instrumental progressive rock band that are not afraid to use RIO ideas and compositions, with weird contemporary harmonies on guitar and piano, especially on the first track, “Lupus In Fabula”.

We hear more often complex fast rhythmic ideas and intelligent melodic combinations.

The biggest part of the album is a suite in various parts.
Just a few with a heavy tone in fuzz guitar and additional organ, in a modern days’ symphonic progressive rock style, when somewhat improvised, they tend to sound there a bit like Anglagard.
There are just a few times when the organ sounds like making the music a bit more loaded than necessary.
A style choice of adding contemporary ideas in the harmonies and rhythms, solves their melodic choice of music composition, and makes a strong sound, but it makes it difficult and demands lots of work on compositions to work in a fresh way over a whole album’s length. Therefore there are many more calmer and moodier passages as well.

Audio : "Hydra", "Reliqua Tempora" &
"Lupus in Fabula" & "Head of the Winner" on http://www.myspace.com/octoberequus
Homepage : http://www.octoberequus.com/
Intro : http://www.dlsi.ua.es/~inesta/Prog/SPE/octoberequus.html
Other reviews : http://www.seaoftranquility.org/reviews.php?op=showcontent&id=3436
& on http://www.somnius.com/outermusicdiary/2007/01/15/acdc-john-zornelectric-masada-nebelnest-october-equus/
& http://www.waysidemusic.com/ProductInfo.aspx?productid=09/MARACASH%20007
& http://www.lasercd.com/ProductInfo.aspx?productid=MRC007
Spanish review : http://www.dlsi.ua.es/~inesta/LCDM/Discos/octoberequus_octoberequus.html
German review : http://www.babyblaue-seiten.de/album_6791.html   next album here
Alt Rock Prod.  October Equus : Saturnal (SP,2011)***°

This is the third album by this avant-rock/RIO band. The band uses the sort of strange harmonies and melodies that are typical for a contemporary music association, also used in avant-rock and R.I.O., somewhat with jazz-rock association because of the semi-improvised feeling. Different layers react against each other with its own space and freedom but with the same sensibility of melody. Although there is variety and all members play very well the continuity of this formula works it is a bit demanding over time. When in the last track the harmonies becomes more normalised, it is already a bit late. Instrument used are sax, bass, guitars and drums. The band has two more members of Planeta Imaginario.

Info & audio :  http://www.myspace.com/octoberequus
Homepage : http://www.octoberequus.com/
Label page : http://production.altrock.it/prod2.asp?lang=eng_&id=160&id2=161
Description on http://www.waysidemusic.com/... & http://www.lasercd.com/...
Other reviews : http://seaoftranquility.org/reviews.php?op=showcontent&id=10959
Alone Rec.   El Paramo (SP,2008)****

This instrumental heavy rock band convinced me from the first till the last moment with their fuzzed bass and fuzzed electric guitars and drums sounds. It is firstly because what usually falls back on rather doomy than gloomy bass sounds in the post-Black Sabbath associated stoner rock sounds, here  the bass has a much wider perspective and range than that. The band members seem either to use the bass sounds as rhythmical warm pulses throughout the tracks for electric fuzz duets, smooth jams or rather composed melodic evolutions, from bass to higher notes. Elsewhere there can be occasional hammering bass sounds too, or bass lines are just another element within range of all guitars. The progressions bring the listener to an experience of a rather progressive energy and with an attractive heaviness within reach. Recommended.

Audio : "Infeccion de Escorpion" & on www.myspace.com/elparamo 
Label : http://www.the-stone-circle.com/
& www.myspace.com/alonerecs
Description : http://www.clear-spot.nl/catalog/view.php?item_id=323954
Other reviews : http://www.peacedogman.com/reviews/120708elpar.htm
Spanish review : http://www.feiticeira.org/criticas.php?i=612
Underground MastersLas Grecas : Gipsy Rock (SP,1974,re.2010)**°'

Las Grecas were a girl duo who made flamenco-rock popular, singing with melted harmonies very close together, giving a sort of special echo-effect on one unionized voice, a popular sounding effect, backed by a certain rather emotional power originating in flamenco. The songs themselves are more pop than flamenco, for which the union of voices were not done before, and which now sound like a raised voice, standing for certain values, and independence of a vision, the roots remain in traditions fully aware of gypsy family/gangs associations and dealing with its traditions. CBS tried a few studio setting, but the harder rock band seemed to have worked best. While the voices are much more like (the band) Heart than pop music, electric guitars fit pretty well. This is an interesting idea which works pretty well, and which also lets them hit the charts in this setting. Never the less the electric guitars, hard fuzz, organ, congas and such remain studio arrangements which are only there to serve the popular effect of the duo, therefore the result still is that of a pop record, which brings back some ideas with a smile of certain times or voices of its time.

Video's on http://www.youtube.com/...http://www.youtube.com/...
Homepage : http://www.lasgrecas.com/ & http://www.myspace.com/lasgrecasduoficial
Fan page : http://www.myspace.com/lasgrecas2
Spanish page : http://es.spinner.com/2009/11/22/gypsy-rock-las-grecas/
Descriptions on http://www.dustygroove.com/ & http://www.forcedexposure.com/...
Acuarela Rec.Za! : Megaflow (SP,2011)****'

Za! surely is one of the best independent bands I have heard over the last few years. Hard to believe this is just a duo. Like the heavy minded Ruins, the band/duo is full of dynamics, rhythmically interesting changes and complexities. Also their vocal harmonies are interesting, heavy and effective, and creative and with an ear to sound, harmony and, like I said before, with a complexity in rhythms. Sometimes with their own invented language for the musical effect, otherwise in Spanish or English. In one track (5) they professionally make fun with the idea of foreign bands trying to sell themselves with their music, like on youtube and such. The band is clearly focused and thoroughly grounded and each track has different creative ideas. There's fun, and the band succeeds in keeping an independent sound despite real hints to rock, jazz or whatever forms and even one track with afro-rhythmic associations they keep it entirely into their own vision on each moment. Highly recommended !

(PS. The Spanish 'Za!' Could fit easily with the Italian 'Zu!' -what's in a name-).

Audio on http://www.youtube.com/watch?v=d6upa5n0lJY
Info & audio : http://megaflow.bandcamp.com/
& http://www.myspace.com/putosza
Label info : http://www.acuareladiscos.com/...
German description : http://www.southernrecords.de/news/za-megaflow/
Finders Keepers Rec.Fusioon : Absolute (SP,1973,re.2011)****'

The third album by Fusioon, “Minorosa”, I still remember as one of the best albums I have heard from Spain.  This previous and second album however shows already the band’s full potential. With one member being a Jazz drummer, another one being a classically trained pianist, the band themselves were a combination of symphonic progressive rock, and jazzrock (the liner notes mention Canterbury rock which is indeed more the direction, with an influence from also a Dutch band like Supersister) with elements of songs, adaptations of classical music, like the most known organ fugue from Bach (interpreted before by bands like Egg, Gracious! ; Bach adaptations in a jazz-fashion were pretty popular in the UK, while the progressive rock and jazz combinations know many more examples in Italy at the time), some Tchaikovsky association, and also a few folkloristic themes from Catalonia. While it is immediately clear what are the qualities of “Minarosa”, this album is in fact more compact and stuffed with much variation into not too long tracks with however lots of rhythmical and rather fast thematical change, even an occasional funky bass and before I forget to mention swinging and progressive Hammond organ additions as well, and a very small really orchestrated part.  This approach was liked so much by the Catalan singer Louis LLach who asked  Manuel Camps to arrange his concept “Viatge a Ítaca” (1975), which became one of his longer masterpieces concepts, with a few more ambitious works to come. The band also became known outside Spain. They were invited for a South-American scene. Don’t forget to check the even a bit more avant-garde, equally ambitious concept “Minorisa” as well.

Description with audio : http://boomkat.com/... & http://www.piccadillyrecords.com/...
& http://www.rushhour.nl/... & http://www.phonicarecords.com/...
Label info (with audio): http://www.finderskeepersrecords.com/discog_fkr046.html
Other reviews of their albums on http://www.progarchives.com/artist.asp?id=824

Wau y Los Arrrghs !!!! I reviewed under the 2nd 60's styled review page->
Möondo is reviewed on the World Fusion review page->
jazz-newrock 12Twelve is reviewed on the jazz related rock review page->


More on Spanish prog with older radioshow and links to Spanish prog sites :
http://psychemusic.org/spainprog.html
I also made a webpage on Flamencofusions :
http://psychemusic.org/FLAMENCOFUSION.html
with a seperate webpage for Gualberto on
http://psychemusic.org/GUALBERTO.html



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