60S PSYCH-POP/ROCK (REISSUES + NEW BANDS)
review page 8

old bands (reissues/compilations) :

The Kinks (DVD) (/'10)
The Human Expression ('65-'67/'10)
Art Boys Collection ('72/'10)
V.A.:"Rare Mod vol.3" (60s/'11)
The Lemon Fog ('60s/'11)
V.A.:"Three O'Clock Merrian Webster Time ('66-'68/'11)
Filet Of Soul ('69/'11)

from yesterday & now :

Mark Wirtz ('11)

more recent bands (also 60s styled):

The Keys ('10)
Broadcast & The Focus Group ('09)
De Comcommers ('10)
Colorama ('10)
The Moles ('10)
Messer Für Frau Müller a.o.: "Ruskie Wig-Out!" ('10)
The Method ('11)
Modular ('11)



go to next review page ->
(Syd Barrett/Pink Floyd influences)->
or go back to progressive music index
  go back to the main index menu





Voiceprint  The Kinks : "You really got me" The Story of (UK,pub.2010)*°'

I have youngster’s memories of the Kinks when I discovered them, when I listened to a tape someone did for me, or heard something of them at a party. The Kinks were much harder than most British pop bands (even though Animals and The Who could have their shares of performance aggression), but they also used the British beat harmonies. This DVD compiled many clips of The Kinks and let them roll too, which is fine. But this also means the sonic and even musical quality does not present the band’s best efforts. The footage of the late American band are even more punkish rock’n roll, public teasing and with some hard rock riffs, and there’s a lot of these later recordings and versions included too. The video shows well how blues & R&B was their starting point (we hear some great wild bass too!), and claims how in their hard quality they must have influenced harder styles like punk and heavy metal and could live and survive next to them. In the late 60s the band became softer and more sophisticated for a while, more ballad-like, with some really good songs and arrangements  (“Waterloo Sunset” for instance). I personally even like their latest UK album, “School Days” which is quickly mentioned. Good to see are also a few of the early MTV-styled video clips, where obviously the filmic story participated, and if you ask me also was also inspired by some boredom the band suffered from during their second period in the US.

Despite showing these historical lines and interesting elements, the video still looks like having been  compiled rather quickly, starts with an annoying over 2 minute commercial for the video label’s big names with commercial music in the background, and then most of the time, if they say anything, talk about 'Success' as the big word as if music is about nothing else. This sounds much more like an American styled marketing effort brainstorming the association of 'Success' with Kinks without showing much more of the underlying musical subject. This is not the kind of compilation a real 60s music fans is waiting for. Collectionists who are in it for the music, still could better check out the LP’s. As a quick overflow introduction to the Kinks this still gives a quick mainstream impression. Some of the early television appearances alone will be apreciated for sure.

Trailer on http://www.youtube.com/
See also Kinks on youtube
Homepage Ray Davies : http://www.raydavies.info
Info : http://hollywoodnorthreport.com/article.php?Article=7885
Label info : http://www.voiceprint.co.uk/web/Release/ABCVP130DVD/
Other review : http://www.bravewords.com/news/135149
& http://www.modculture.co.uk/films/film.php?id=99
See Monkey Do Monkey Rec. The Keys : Fire Inside (UK,2010)***'

The Keys is one of the few neo-60s band who don’t fall back on one style which they repeat on each song, but are inspired in a 60s sense and with each song a different inspiration, varying from Who/Kinks/.. on “People meet People”, some Yardbirds/The Zombies on the more electric side of them on “Fire Inside” and Gorkys Zygotic Mynci on the more acoustic side of them on “Chemistry” and some inspirations in between, all in English 60s psychpop style. “O Lord” has a Christian gospel inspiration but turns into a tasty psych song as well.

The band once supported Love legend Arthur Lee, and newer acts like Sleepy Sun and the Noisettes. As their previous form, Murry The Hump they have had three John Peel sessions.

The album was recorded with the help of Pixy Jones (El Goodo) and mixed by Charlie Francis (R.E.M, The High Llamas).

Label info on http://www.seemonkeydomonkey.com/releases/keys_fire_inside
audio on http://www.seemonkeydomonkey.com/home
Homepage : http://www.thekeysmusic.co.uk/
Info & audio : http://www.myspace.com/thekeysmusic
Warp Rec. Broadcast & The Focus Group :
Investigate Witch Cults of the Radio Age (UK,2009)****/***°

Now when hearing this release I have the impression that in the past I have often overestimated many neo-60s items only because I, like many listeners, just WANT to hear certain original elements even when there’s little musical inspirational change, a creative element which was in fact one of the most important elements of 60s music and which on new releases is hardly there. The reason why this album is much better than that is because it has not only the arrangements of the band producing the expression with full baroque strength, the singer also appears with her own vision and flavour within these Wonderland settings, an environmental collage with lots of exotic changes, psychedelic effects, evolutions and arrangements. Just imagine how Wickerman is mixed with lots of 60s psych Britpop elements, just like a psychedelic soundtrack collage with some song elements, expressed like inside a kaleidoscopic dream. After the EP this is the band’s first full album. For a large part this is utterly surprising with brilliance. Within the larger time frame we have a certain moment with a larger part for detailed collages which on its own tends to become a bit disorientating and a more fragmented blur of patchwork, giving a part that tends to become more experimental like a soundtrack “from radio age”, more than remaining just within the psychedelic frame. It is only with the return of the beautiful female singer’s voice that the dream becomes more concrete again, with more songs and a few more witches brew cult visions. Highly recommended for all 60s psych and acidfolk lovers !

Info & audio : http://www.myspace.com/broadcastuk & on http://boomkat.com/cds/...
Videos on http://www.youtube.com/... & http://www.youtube.com/...
Label info http://warp.net/records/...
Info on Focus Group : http://www.ghostbox.co.uk/artist/artist_thefocusgroup.htm
Info : http://thedailygrowl.co.uk/2009/10/22/broadcast-and-the-focus-group/
Other review on http://pitchfork.com/...
& http://www.bibabidi.com/2009/09/broadcast-focus-group.html
& http://www.tinymixtapes.com/... & http://www.dustedmagazine.com/reviews/5346
& http://thequietus.com/... & http://www.thelineofbestfit.com/...
& http://www.themilkfactory.co.uk/...
Cicadelic Rec.   The Human Expression : Love at Psychedelic Velocity (US,comp.2010)****

Imagine how the raspy voice of the lead vocalist on the first two tracks has something of American garage, which in combination with the fast simple chords reminds me of later Electric Prunes (without the strangeness of arrangements of the early stuff) or 13th Floor Elevators or like a more crazed out Yardbirds. Very fast rambling drums on “Love At psychedelic velocity” turns into slower speeds, and then back on the train. Within a few minutes it is literally speed and speeding up quickly which gives a druggy effect. “Every Night” on the other hand is a slower ballad with psychedelic rhythmic repetition, never too far of a renewed tendency to speed up once more with marching rhythm. It was this marching hypnosis which very much seems to trademark this band's full energy. The band didn't make many singles, but much more than that, a few unreleased tracks were found to include, to form a 16 track compilation. A nice off-the-record story is that Human Expression rejected Mars Bonfire's “Born To be wild” only to record “Sweet Child of Nothingness”, while the first suggestion was of course adapted (who does not know that part of the story) by Steppenwolf later. This other song is a nice American desert psych ballad. The unreleased version of “Calm me down” on the other hand is more harsh and heavy. Most other songs are more ballad-like without forgetting some Byrds-like guitars and underlying heaviness always lying behind the corner to burst out again with its wild young nature. The last, rough acoustic guitar demo track might be my least favourite track but still, this is a really pleasant to listen to compilation. The booklet in this reissue has included a large biography.

Info & audio : http://www.cdbaby.com/cd/humanexpression
Video's on http://www.youtube.com/watch?v=QydgPHAJ5mg
Info : http://en.wikipedia.org/wiki/The_Human_Expression
& http://en.wikipedia.org/wiki/Love_at_Psychedelic_Velocity
& http://allmusic-wingsofdream.blogspot.com/...
& http://gasmusic.blogspot.com/...
Description on http://www.dustygroove.com/item.php?id=j9zddq2pm2
& http://www.clearspot.nl/catalog/view.php?item_id=345921
Other review of album/band : http://www.rimpo.com/humanexpression.htm
& https://www.headheritage.co.uk/unsung/review/714
& http://www.60sgaragebands.com/interviews/humanexpression.html
See nr.58 at http://www.finerecordingstudio.com/g45/?r=0
Grey Past Rec.   De Comcommers : Een neusje met een meisje aan -LP- (NL,2010)**°'

In 1991 Marthy Coumans from today's Grey Past Records was still into beer and serious nonsense. Already very much interested in surprising 60s garage and Nederbeat but also having a good taste for some of the interesting elements of what is not yet bad taste, in those days he was still contributing, shaking and focusing his own private parts to all of that. Together with Hans van de Berg, known in those days as Andy Warhoofd* (roughly translated as Andy Confusedius) or also known as Bob Geldwolf (a not to translate ordinary folk name confusion with Bob Geldoff, from which the name 'geld' means money). Like their already mentioned interests the band succeeded to make solid, only slightly humans-can't-help-it-but-be-slightly-insane but also a couple of good love songs as insiders of outsiders. A few of the early songs are better written than sung because the singer is almost too serious with its small portions of deliberate infantile aspects of the humankind and he can be more restrained because he ain't really insane, for the whole seriousness of it, most of the time this sounds completely right in its own right, especially when with a few good harmony vocals. This nearly instant inspirations of songs are performed with an absolute strange mix of early garage, of 60s psychpop and mod and Swiss cheesy schlager  music (for at least one track), compiled like an 80s underground tape music concept, being ready to recreate a Nederbeat idea for the new generation (remember Marthy's later Nederbeat compilations : this could fit pretty well!). The recordings were done privately with a small 4-track with tons of wires for all the ping pong effects. The funny keyboard rhythms came from a few small Casio's. The band lasted for 6 months and was in fact a side project with Marthy and Hans of the Four One and Only's. When the band was invited for a gig to England acid inflicted Hans wouldn't leave the closet. This meant also the end of both bands.
Within the collection of self penned songs there's also a Dutch translation of a song from The Rondells (which became “Ze liet me vandaag in de steek”) and of The Grains Of sand (“Ze wil me”).

LP of 250 only, with a complete fronted and a completely behind side.

Audio : "n Neusje met `n meisje er aan"
Dutch review : http://www.bndestem.nl/...
Available from http://myworld.ebay.nl/huiboki/
Description on http://www.forcedexposure.com/artists/de.comcommers.html

* Actually it was Marthy who was The Andy Warhole euh Warhoofd of this band.
See Monkey Do Monkey Rec.   Colorama : box (UK-WL,2010)***'

Colorama is one of the better examples making a convincing use of neo-60s sound. It has a couple of 60s elements to start with that are surely attractive. The lead vocalist for instance has in no doubt something of Donovan in his most vivid period, there comes to it that attractive Welsh accent and a different softness and sophistication due to a different language use and the qualities behind it (bringing of course and this also in a few comparable musical foundations also Meic Stevens and Gorky's zygottic Minci in mind, who fit with some comparable qualities too, one being more folkier than the other). With the couple of harmonisations on the lead voice, mixed with the 60s Baroque psych-pop flavours with a little bit of the not to miss organ and classical touches this becomes even better. Some of the tracks remain in the acoustic area, nearly lullaby-like, then others direct towards psychpop. Rhythmically however the group uses something more modern, repetitive or loop-like rhythmic themes, as if inspired by lounge jazz & pop moods, adding an extra different foundation, with this which is more mood-based, fitting with our times while the song/indie pop foundations takes care of the structural picture. Extremely enjoyable.

Info & audio : http://www.myspace.com/coloramasound
Homepage : http://www.colorama.org.uk/
Label : http://www.myspace.com/seemonkeydomonkey
with info on http://www.seemonkeydomonkey.com/releases/box_uk
See Monkey Do Monkey Rec.   The Moles : The future sounds of Ashton (UK,2010)***°

Well, yes, bands with convincing 60s sounds still exist. The Moles are one of them, not because they are performing a style-play as a retro-band, but because they play their own style, which is a strange mixture of early Pink Floyd, Yardbirds, 13 Floor Elevators, Stooges and a dose of punk here and there. And this is odd. The more the voice is distorted (radio voice) the easier the punk aspects come in. Never the less the backing vocals are more British 60s and a portion of humour is always present with a playfulness in the short tracks and some inventiveness with each new track. Just here and there with head swinging rhythms a great pushing bass comes forward too. Apparently this seems to be Billy Fuller (also a member of Beak, Fuzz Against Junk and -the- Robert Plant & The Strange Sensation). Yes, 60s are back under a new form.

(My review copy had only 12 tracks but it seems 15 tracks should be on the new release).

Video : "Fuller's Dram"
Info & audio : http://www.myspace.com/themolesuk
Label : http://www.myspace.com/seemonkeydomonkey
Label info : http://seemonkeydomonkey.com/artists/moles
Articles on http://rocketrecordings.blogspot.com/2010/09/moles-future-sounds-of-ashton.html
& http://bandweblogs.com/... & http://hangout.altsounds.com/...
Omni Rec.   "V.A." : "Russkie Wig-Out"
     -surf / electro / exotica from behind the iron curtain- (RU,2010)****

The album is appearing in some on line record stores as if this is about a compilation of bands that were let loose after tearing of the iron curtain and the eyes to the decadent west resulting in a big wet dream party creating lots of underground musical desires becoming upper ground fun. The reality is that this is a compilation of one band only and its off-shoots called 'Messer für Frau Müller' strangely enough with a German name reminding me again of Berlin and the disguises of exotic retro party man Senor Coconut with who knows, a Russian outfit. The band is real and they share the love for exotic music. In fact the band adapts all that is exotic fun for a dance party. Inspirations can also come from Moog pop, space age futurism, bubble gum and lava lamps, screaming girl B-movies and its associations of horror-hop, within its length of interests, psychobilly, rockabilly and surf. With a love for the Moog and the Theremin -Theremin master Lydia Kavina played on many tracks- we come to the next chapter up to fastly played retro electro-pop. The arrangements never fall back on easy formulas. In that way they are with one foot rooted in the fifties of the big orchestra “arrangeurs” / composers with a very good ear to sounds that are interesting, and another one in our age of sampling sounds, combining in the form of arranged collage and special sounds of instruments and new combinations, in rhythmical rondos, in a dance association with colourful always exotic and exciting results. Of course we may not forget humour.  A few songs were rearranged or replayed in different versions, like a remake of the known Colombier/Pierre Henry hit with moog synthesiser. This is city music with an attention to detailed colourful collections of ideas, guarantee dance club pleasure. I won't complain when one or two track I liked a bit less out of the 26 mostly very rewarding and well compiled together tracks. The songs were collected over several years but hang well together and there are so many differences, I began to play this CD on repeated occasions. I found it an ideal CD to listen to on head phones on the bus.

Audio on http://aquariusrecords.org/...
Review and audio tracks on http://aquariusrecords.org/..
Label info : http://www.worldwentdown.com/omni/omni139.php
Description on http://www.dustygroove.com/item.php?id=n5bksv7brn
Homepage : http://www.messerchups.ru/ & http://messerfurfraumuller.kroogi.com/
& their private label : http://www.solnzerecords.com/
About Messer Für Frau Müller : http://www.last.fm/music/Messer+f%C3%BCr+Frau+M%C3%BCller
& Messer Chups : http://en.wikipedia.org/wiki/Messer_Chups
& Oleg Kostrow : http://www.last.fm/music/Oleg+Kostrow & http://www.myspace.com/kostrow
Golden Pavilion Rec. Art Boys Collection : Stoned Wall -LP-(Ö,1972,re.2010)***°

Although this is an Austrian band, they covered something of mid and late 60s English and American bands.

The band opened before bands like Golden Earring which is understandable, because they also often used attractive rock harmony songs with up tempo rhythms, and also before Deep Purple for they sound like a lighter version as a good introduction to the much harder edged band. They are definitely rooted in the 60s, and keep their tracks short, even when they become more progressive with their guitars and directing towards a harder edge, with organ and distorted guitars, they keep the songs compact to a few minutes. They also use different sorts of harmony vocals. First with two male vocalists, rooted in both beat areas as Californian music territory. When adding more harmonies this can also sound here and there a bit gospel-like, perhaps due to their Christian interests. In a few tracks, like the opener and closer, with the addition of two extra female harmony vocalists these harmony vocals become truly entirely Sunshine Pop. Here reverb on several strummed guitars give a special psychedelic effect. There are a few softer ballads, and a few more simple rockers, while in these tracks the organ and electric distorted guitar direct towards slightly harder edged bands like the already mentioned Deep Purple and Uriah Heep. With these 12 tracks all ideas within their compact arrangements, with attractive melodies they succeed to have made an enjoyable record.

Audio (different tracks) on http://www.youtube.com/watch?v=ZXKAG9_fjeg
Band info : http://www.krautrock-musikzirkus.de/de,Art-Boys-Collection_340,N.html
Description LP on http://www.dustygroove.com/... and on http://www.bompstore.com/...
and on http://www.shinybeast.nl/ and on http://www.recordheaven.net...
and for CD on http://www.green-brain-krautrock.de/... and on http://rateyourmusic.com/...
Info on CD version : http://www.acidvisions.com/...
CD label description : http://www.diregarden.com/god058.html
Acid Jazz Rec. V.A. : Rare Mod volume 3 (US,1960s/70s,re.2010)*°°'

On a 'mod' compilation you would expect mostly nothing but mod styled beat / garage / freakbeat, but there are a few exceptions. Take the London born Andee Silver who made this recognisable Motown pop single, here included. Female pop hardly is found on mod compilations, but there's another one. Goldie & The Gingerbreads, more being an American harmony vocalist band, found most of its success opening before The Rolling Stones and touring with The Kinks. Different but not in a too great sense also is the 'Northern Soul' band Kenny Bernard & The Wranglers, with another version of “In the midnight hour”, another connection to London. There are two tracks in earlier 60s styles and a few bluesier tracks included for one more London connection. Such tracks makes the compilation a bit more alternated, while it is of course the mod connection which gives most of the expected / sought after satisfaction. There has been enough background info and a few rare photographs of many of the bands/recordings added. Nothing is completely surprising like mod hardly does for me, although a few songs could have made a bigger public with the right connections and circumstances. The compilation is already worth checking out for The Creation's Beatlesque string soaked song. 

Label info : http://www.acidjazz.co.uk/pages/Rare%20Mod%203.htm
Info : http://www.heyday-mo.com/catalog/index.php?act=viewProd&productId=9650
See Monkey Do Monkey Rec. The Method : Dissidents & Dancers (US,2011)*°

CDR provided. Airplay expected but no review.

Homepage : http://www.themethod.eu/
Label info : http://seemonkeydomonkey.com/artists/method
Cicadelic Rec. The Lemon Fog : The Psychedelic Sound of
-Summer with..- (US,1967,re.2011)****

Houston based The Lemon Fog only had three singles released and that is a shame because they surely had the right sound together, which is something of the Beau Brummels balladry and vocal sound, the twangling guitars of Byrds packed in a more direct and directing approach with one compact sound of rhythm, organ and guitars making them sound a bit more psychedelic than other bands around the time. The garage-like directness and the popular sound of a song package create their attractive effect, which makes it hard to believe not much more was published. This album features the original single mixes, a few alternate takes and songs, making a more complete album.  A very enjoyable compilation.

Audio Lemon Fog : http://www.youtube.com/watch?v=hfu6kmAMOo4
Band info : http://www.allmusic.com/artist/the-lemon-fog-p398261
& http://www.last.fm/music/The+Lemon+Fog
& http://www.texaspsychedelicrock.com/2011/01/lemon-fog.html
& http://www.cicadelic.com/lemonfogmasters.htm
Cicadelic Rec. V.A. : Three O'Clock Merrian Webster Time
-22 Psychedelic Sounds from Texas.- (US,1966-68,re.2011)***°

On this compilation we get a couple of bands that were somewhat related to each other, for the region and a certain variety in style and foundations of the band, physically and musically. One other band, The Lemon Fog, which was just reissued before by this label, had signed to the same label in those days as The Nomads, Orbit Records. Most tracks are from The Nomads, but this includes also 5!  different versions of the same song, mostly studio outtakes (not sure why they added so many of them, hearing the band fall over the right tracking many times, it still is a great song).

What you hear on Carrols Mood’s first track is one song very much influenced by The Beatles, while the foundation is more garage-like. Nearly every band on the compilation has a simple drum kit, is driven by simple rhythms and electric rhythm guitars a la Byrds, and somewhere there’s always an organ present, with some bands recorded more as a background instrument, always adding a melancholic and psychedelic touch. After a second rhythmically driven ballad by Carrolls Mood, especially “Walk Alone”, the third track, is a great discovery knowing also that this was an unreleased song, it is not to be missed. Perhaps it was too dark for publication in those days but that is also its great quality.
Carrols Mood later became Sights and Sounds with one single recording, a good swinging freakbeat beat song with fuzzed rhythm, nice harmony singing and some organ.
The Nomads clearly shows the direction from the same area to more psychedelic inspirations, (there’s a Byrds influence a bit on one track), with the title track having another strong melancholic sadness in it. This band later evolved into The Smoke, who released one single.  “Mainstream” is one other winner of a 60s song. The B-side is more heavy blues-rock with heavy electric freakouts still with a calm blues rhythm. 
The song by Rebellers has very good lyrics about a generation of people living day by day. It is early psych with more dominant organ besides a simple swinging rhythm by drum and electric guitar.
The Remaining Few has even more organ and a psychedelic sound, with oscillating electric guitars on the first track, followed by a ballad with repetitive rhythm that includes an organ led melancholy and wah-wah guitars, with a psychedelic sound as well.

Audio : http://www.music-bazaar.com/... & http://www.allmusic.com/...
Info : http://www.acidvisions.com/musicmailorder/ff233e73.html
& http://mza-garage.blogspot.com/2008/04/lemon-frog-three-oclock-merrian-webster.html
Label info : http://www.cicadelic.com/cicd982.htm
Poppy Disk Mark Wirtz : Lost Pets 2 (UK,2011)**

It took some years for singer/composer/producer/author and now stand up comedian before he found an opportunity to continue his musical ideas from where he left and finished his “Lost Pets” LP in 1979. Mark Wirtz had a long career as a producer as well. Most people possibly will remember him for his work on the hit single from Keith West,  ‘Excerpt From A Teenage Opera’. This second album has a pop approach with a singing in between T-Rex, Donovan and sunshine Pop, the production strangely enough itself sounds harsher than these associations, also technically, as if recorded privately first and then boosted up in sound, it is especially the recorded voice and melodic tunes which have a 60s feeling, the production rarely is, most of the arrangements still associate themselves with something of that area (just take “Retrolusion” arranged with mellotron and a sitar effect on the lead guitars, its voice overdubs). There’s enough variation in arrangements but more of an  80s production makes these 60s sound foundations more primitive than it could be. Also often, the rhythms are pushing it up as if the heartbeat is going faster as it should be. The songs are not really catching as much attention than the general sound forces itself to be. This is a strong reminder of the sixties, while at the same time these times have been passed oh so clearly.

Label info : http://www.poppydisc.com...
Homepage : http://markwirtz0.tripod.com/markpwirtz/
Other review : http://happeningmagazine.blogspot.com/...
Gear Fab Rec.Filet Of Soul : Freedom (US,1969,re.2011)***°

Filet Of Soul very quickly developed their own sort of orientation with self-penned songs from a simple love ballad typed garage and 60s style with a good feeling for rhythm, also with the guitars to a whole diversity of common styles of the 60s with influences ranging from the twist era over The Beatles and even James Brown in two songs, all with something of their roots of inspirations coming through intact. Their roots, love songs and light but slightly raw groove makes their sound attractive and accessible. We hear all what is needed to make them a very enjoyable band. 

Other description on http://www.clear-spot.nl/item/360297/filet_of_soul_freedom.html
Elefant Rec.Modular : Sinfonías Para Terrícolas -LP/CD- (AR,2011)***'/****

Some bands really succeed in provoking pleasure in their music, a lightness with a full seriousness in their choice of instruments and arrangements. This is the second album by this duo consisting of Mariana Badaracco and Pablo Dahy. For this album they had a few weeks to record in London with the help of Andy Ramsay (Stereolab) and technician Joe Watson (Stereolab, High Flames) as their technical supervisors. The result is a happy pop music like the kind of perfect retro-futuristic music, like the perfect vintage clothing and pop art objects shopping music. Of course there’s a lot of use of a Moog synthesiser, a couple of other, also acoustic instruments, the accompaniment Sunshine Pop papapaa vocals, perfectly echoed sweet pop female vocal leads, a bit of vocoder voice and so on. Of course there are a few hints to lounge music, Bacharach atmospheres, 60s pop psych (track 4), including trumpet and a surf influence. At times I am also reminded of these 60s animation series which had wonderful entertaining music. Two small instrumentals have, in a light and pop orientated sense, hints to more serious music from the band Harmonia (with sequenced rhythms) (track 3) or the BBC Radiophonic Workshop (track 10). The last, longer track with samba rhythm is perfect dance related music with technicolour girls watching and stimulating the session at the cocktail bar.

Audio : http://stores.7digital.com/... & http://www.juno.co.uk...
Homepage (worth a visit) : http://www.modular.com.ar/ & http://www.myspace.com/modulantes
Info & audio : http://elefant.com/... & band info : http://elefant.com/bands/modular & http://elefant.com/...
Review : http://hongkonginthe60s.com/2011/10/27/modular-sinfonias-para-terricolas/
Spanish review : http://www.rock.com.ar/blog/201111711/sinfonias-para-terricolas-modular/
& other label page with audio : http://www.myspace.com/elefantrecords
Go to next review pages->
(Syd Barrett/Pink Floyd related)
or go back to psych / prog music index
or go back to general music index