60S PSYCH (REISSUES + NEW BANDS)
review page 1

old bands (reissues) :

Attack, The ('67-'68/'05)
Classical M ('67-'70)
Folklords, The ('67)
Plastic Cloud ('68)

new bands (60s styled):

Ambassadors of Plush ('05)
Cactus Cooper ('02)
Ford's Imaginary Inferno ('03)
Gris Gris, The ('05)
Loons, The ('05)
Phosphene ('04)
Pillbugs, The ('98,'03,'07)
Youth, Damien ('98) (moved)














Proverus Rec.The Pillbugs : The 3-dimensional in-popcycle dream (US,2003)***°

Usually I don't check many neo-sixties groups, but when I lately had the opportunity to check and listen to some, this group came to the fore. Usually I'm much more of an early 70's music fan, but like many collectors I also have my favourite 60's items : July, Music Emporium, Gandalf, Love's second, Pretty Things (S.F. Sorrow), and maybe Pussy, with White Noise first as my favourite late 60's album, but that one's already more avant garde than usual. But of course also these days there's a possibility that some groups of nowadays still have such a sound in a spontanuous way. My favourite neo/new 60's band so far is The Living Room whose first album contained mostly psych folk pop with a 60's edge.
I wonder how they evolved.. I think The Pillbugs appealed to me, from the tracks I heard, especially with its perfect sound, its psychedelic feel and lots of acoustic elements, and a beautiful organ, fine arrangements and warm vocal harmonies.

This particular CD came with a viewmaster and a three dimensional view of this 5-piece group with bubblegum psych coloured illustrations. These look very beautiful and original. A gadget idea intended to make people buy original cd's instead of copying illegally. First three tracks are very fine Beatle-esque songs with beautiful arrangements including the unmistakable organ, cello, and orchestral arrangements with a perfectionism in production, something which was also another Beatles trademark. The three tracks  following are ok too, but are more like inspirations after covering other 60's groups. It has a more easy sound, still played with obvious pleasure. Many of the tracks that follow have really perfect arrangements and compositions. "Friend for the day" is a fine and beautiful sitar psych song. "Saturday Morning Cartoons" is a very funny little track with a 60's folk psych sound. "Girl on a laser beam" is funny too, played in a Beatle-esque way. "Feet first" has beautiful vocal harmonies and sparse spacey effects. Also "Liquid Bob" has very fine and pleasant arrangements, going beyond any usual psych. The "3D Theme" is an appealing instrumental with orchestral arrangements, and some electric guitars improvisations, piano and very beautiful vocal arrangements, and some psych organ / keyboards, professionally mixed and arranged. To be followed are a couple of not so inspired tracks until "Charlie Blue Car" which has a more up tempo beat track including some sitar. Also "The cat who dropped the bomb" and the following tracks have a somewhat stronger sound, although most of them have a neo- and remember-the Beatles- feel in it, where some of the earlier tracks did have a much more spontaneously fitting  just-like-the-60's-sound, created tastefully. "Popcycle Island" is a beautiful closer, with the group at its most perfect again. In general the group is clearly talented. But when they work has been put into the arrangements the band really succeeds giving  listening pleasure as appealing as the best 60's psych bands.

next release->
Proverus Rec.The Pillbugs -2cd- (US,1998)***°

The earliest tracks of this double album album go beyond the (neo-) sixties psych styles, and includes late 60's, early 70's influences. Also this release contains arrangements close to perfection.
The first 7 tracks sounds as one track with a lot of changes and ideas.
The first track "Thou doth warm me (like the sun)" sounds like a Beatle-esque track from around the White album era, but with more psychedelic effects.
Further on the tracks become more late 60's early 70's in style. "Black sombrero" even is a flamenco prog rock track with electric guitar and organ solo's. "Undecided" with distorted voice and backing vocals rocks even much more, with fine hard (prog) rock guitars. "We are the orange sky people" which follows is somewhat in the back-in-the-60's style, but at the same time is produced much more modernly, with various prog touches and instrumentation and orchestral bits. All fantastic.
"Comburda" after that, has strong contrasting arrangements, again in late 60's styles. Last two tracks of these seven are more driven by a beautiful warm sound, with nice and crafty late 60's arrangements, sounding incredibly fresh.
After that it will give a further continuity often in an improved Beatle-esque style, without any weak moments. Not all tracks are as arranged, some of them are even more common.

Although in general all tracks are highly enjoyable on this double CD, I still would have preferred a shorter album with all the heavily arranged tracks together.

The group itself plays on the CD together more than 20 instruments. It's especially in the refined arrangements that we can hear them. This leaves us with 7 more talented session musicians (playing cello, sax, violins, double bass, pedal steel guitar, or trumpet). The first disk contains 19 tracks, disk two 13. Together these 32 pieces provide a rewarding listen.

Websites : www.proverus.com & www.pillbugs.com
Other review : http://www.shindig-magazine.com/reviews-aug2003-2.html
next, 2008 release ->
Proverus Rec.The Pillbugs : Buzz For Aldron -2CD- (US,2007)cd1***' cd2 **''

What I think was already so good about Pillbugs (on previous albums) is that didn’t keep their neo-sixties sound to the limitations of the sixties, but eventually also expanded them logically, with the keeping of the spirit of the sixties, but also with 70s psych achievements. This is their most ambitious work to date, with arrangements as close to perfection. I don’t know any other band who put so much effort into this kind of neo-sixties style, -it even includes whole parts of additional orchestrations- ; their result can count. It became one of the most entertaining neo-sixties releases, with a strongest sound (which is most convincing when listening from start to finish).

One CD would have been actually perfectly satisfying for me, but you get two, which is more saturating.

Audio : "Walking Along an Edge of Sky", "Make Like Arthur Lee", "Milkman's Wife", "It Seems You Are So Happening", "In The End(You're Moving On)", "King Of Zorg", "Lost Lonely Sailor", "Walking Along The Edge Of Sky", "Spaced-Out", "I'd Give It All Up For You"
& on http://www.proverus.com/buzz.html & with info : http://www.myspace.com/thepillbugs
Video : http://www.pillbugs.com/SpacedOutVideo.wmv
Websites : www.proverus.com & www.pillbugs.com
Info on Pillbugs : http://en.wikipedia.org/wiki/The_Pillbugs
& http://www.scrubrecords.com/artists/584/
Other review : http://www.notlame.com/The_Pillbugs/Page_1/CDPILLBUGS4.html
German review : http://www.above-i.ch/...
Secret Eye            Phosphene (US,2004)***°

Good 'progressive music', within the borders of limitation, people generally put this category together, for me it has two fundamental principles : sound exploration with a natural balance between the colours of the instruments and the compositions, and the result itself of a very structural composition. This release takes care, more than usual, of this essence of 'sound exploration', with a natural flow of inspiration, and with a fine and varied continuity.

Throughout various tracks we hear some overtones, from chimes ? to distant voices, leading in the first track, and directing the other colours elsewhere. "A Spherical Song" adds some neo-late 60's feel, with some additional echoed distant voices. After that track, guitar loops and reverbs and electronic sounds are combined with the mentioned kind of over-tone patterns, with some basic percussion accompaniment. This is done with a good proportion of attention to various harmonizing sounds. On "Tiranna calls", the loop-like distant overtones carries the listener away to more subtle, nicely interwoven and vividly moving spacey territories. "Cosy Sphere" combines all the earlier elements in a remixed collection, including the neo-60's psych feel / touch, with additional "gently" distorted guitar, and a wonderful psych organ. After "Souterrain", the balancing "self-structuring" nature changes a bit in direction, now becoming a spacey cosmic feel (a la Tangerine Dream), with further on the track some nice contributing soprano sax (?). "This is not a Woodstove" even moves onwards to an ambient like territory, with a very relaxing effect. The used sounds for the last tracks are even more acoustically "flowering" (like overtone voices and flutes in the distant, with evolving loop-like patterns). It concludes with another song, "Wild Wind", in a dreamy spacey style.

My conclusion is, that I find this a gentle, subtle, relaxed release with a good balance of sounds and spontaneous structuring , more thought over than when just bringing improvised elements together. There clearly is a "progressive music" interest, how the music is build, with here and there even some véry subtle touches of Pink Floyd. But a small part of the album even becomes shortly ambient too. A fine and highly enjoyable album. 

PS. This group grew out of Electroscope.
Review of Electroscope at http://psychedelicfolk.com/acidfolkreview5.html

Info on Phosphene : www.phosphene.debrett.net
& http://www.secreteye.org/se/a10.html
Newer release is reviewed on http://psychemusic.org/prog12.html#anchor_125
private           Cactus Cooper : Gentlemaniac -tape- (D,2002)**°

At the “Maniac side” we hear pleasant dreamy blurry realized psych with Syd Barret’s influence noticeable there. Every song here comes with distorted voice, neo-60’s psychedelia styled. The “gentle side” is with a more romantic sounding voice, with electric guitars and organ spinning around with early Floydian the kind of neo-psychedelica of mushroom like images, with here and there some reverbs and such. Cactus Cooper I think is mostly a solo-group by Ralf Neuendorf. He’s befriended with the Mandra Gora Lightshow Society . Most tracks on “the Maniac side” are 3 minutes exactly. On the other side some are a bit longer.

“Greatest hits” description of style on “The anthology debut“ : “A collection of twisted, spacey, psychedelic songs by interstellar popstar, recently landed on our lonely planet. Reminds me of an early Daniel Treacy on drugs.”

Info (at nice 'flashy' site) : http://www.cactus-cooper.de/

PS. If you also visit the Mandragora Lightshow Society site the arrow of your mouse will be spied by aliens ! be careful!)
Excalibur    Ford's Imaginary Inferno : Summer Breeze and Magic Trees -LP- (NL,2003)***°

I heard another album by the group first, “Meet the Children of make-believe” (their sixth) but I found in this (fifth) album much better and clever arrangements and production, I preferred this album. The style completely fits with end 60’s productions, in soft pop-psych style, with sweet and nice convincing lead vocals and vocal harmonies, with simple but strong drums and bass, and some accompanying amplified guitar picking. We also hear some extra arrangements of psych organ ("On a Day so sweet" for instance has a very sweet longer psych organ outro), piano, harpsichord, and some other arrangements (like echoed harmonica on “The River is a river”). Some of the dreamy meandering harmony vocals remind me of some of the British folk-vocal groups (Amazing Blondel / Fairfield Parlour,.. ) or of some British popsike / harmony vocal driven garage-psych. (Last track "Magic Trees" even has an early Floydian touch to it)..

Really very nice and pleasant, well produced, and convincing in having an original sound, a perfect listen from beginning to end without any weak moments. Recommended to 60’s pop-psych fans !

The first issue was on clear yellow vinyl. This is a very limited second print on white vinyl. It's the first LP production from the group.

Info : http://www.popinstituut.nl/bez/bz7328.htm &
http://stage.vitaminic.nl/main/ford_s_imaginary_inferno &
http://music.xs4all.nl/direkt.asp?nr=82639 &
http://www.dock-land.com/producto.asp?...
Live gig review : http://www.vpro.nl/programma/madiwodo/artikelen/2713347/
UT RecordsThe Loons : Paraphernalia (US,2005)*°°

Ugly Things is one the most known 60’s beat/garage/early psych magazines. The group is related to the magazine through member Mike Stax. (Guest backing vocals are by Steve Whiting of The Misunderstood).

I know some extreme fans of the 60’s who behave according to a fashion code related with these years ; they wear Beatle or early hippie haircuts, 60’s clothing, like the typical wallpaper, chairs, etc (see cover). If such people make or would make music, most of the inspiration is in fact related to this interest mostly, and it has less an “accidental” comparible form, that sounds like anything from the past. It mostly relies on the recognisable sound of these days. Freakbeat in this way sounds like ‘fashion’ mostly. The Loons music suffers a bit from an intention to make this kind of music, because their hard freakbeat often has a very ‘stoner’ feeling, that can also become tiring. You get an overloaded feel -(I can hardly breathe through the wall of music), making no option other than to listen-or-go to this stoned I-play-my-own-music feeling with a 60’s freakbeat sound, without giving enough enjoyment really. Passing this asocial blast, digging into their specific freakbeat punk style, I think the music of the Loons works best when they go even deeper into that ‘stoned’ feeling. The hard bluesy freaking part on “Turned to Stone” and on “The search” (with driving bass, freaky guitar and mouth harmonica parts) gives these tracks something extra. The different song and instrumental parts makes them more attractive. But for me, it’s especially the last track, freaking out at 10’38” on “Another Life” which makes the sound of the group more complete, because here, the underground freakbeat punk feeling with some stonedness is adapted into psychedelic territory.

Info : http://www.ugly-things.com/loons.html
Live pictures : http://prettythings.net/NYE-03.html
Lion Prod.Plastic Cloud (CAN,1968)***°°

This is a remastered reissue of one of the rarest and most sought after Canadian early psych albums. It is a great album, with very beautifully arranged vocal harmonies on most tracks, and on many occasions a bit Jefferson Airplane-like. It has a great layer of freaky fuzz guitars, fine bass, and driving drums. Two tracks are nearly 10 minutes long which still is unusual for 60's psychedelia. In one take of listening, near the end, the last track, “Civilisation Machine” might seem too much, for it is very densely arranged with the fuzz really all over the place, with not one moment of peace. Still this is an essential reissue to 60’s psych fans.

Audio : "Shadows Of Your Mind","Dainty General Rides", "Epistle to Paradise" (only first rec.)
Info : http://acmi.canoe.ca/JamMusicPopEncycloPagesP/plastic_cloud.html
& http://www.ricrec.com/feature.php & http://www.gepr.net/ph.html#PLASTICCLOUDTHE
Lion Prod.Classical M : Bad Guys : The Complete Collection (F,1967-1970)***°

“Classical M” could have made a great album if given the chance” the liner notes say. What are left are these 24 tracks. And they show indeed 10 wonderful tracks of a great folk-psych band, with unique moments or inspiration, nicely arranged and with hand percussion instead of drums, and with one 9 minute psych improvisation, 9 tracks of a French chanson-pop band with nice mellow songs, often orchestrated, and 4 tracks of great oriental hippie-like folk-psych (-one of these tracks is called "Marouanabab"-).

This is a more than welcome reissue: this band and recordings are a great discovery !

Classical M are the brothers Maruani with Guy Maruani : lead singing, flute, harmonica handpercussion, and André Maruani : 12-string guitar, ouf, violin, piano and lead singer on 4 tracks, Henri Bratter : lead guitar, percussion.

Audio : "Love, Love is There" (or here),"Such a Lovely Voice","Bad Guy"
Label contact : lionproductions@earthlink.net
BirdmanThe Gris Gris (US,2005)**°

Singer-songwriter Greg Ashley (see review on next page) seems to be part of, no : leads this Oakland trio. This is different compared to his solo work, a post neo-60’s indierock sound, but also with newer flavours, from newer rock tendencies here and there (can’t name much because I never was interested enough in any post-rock). There’s plenty, detailed variation, from post 60's garage-rock like vocals and rhythms, with some more dreamy vocals here and there, over the raw kind of post-Stones rock'n roll thing (especially on "Necessary Separation"), with a few times, some post-rock psychedelia distorted guitars breakouts on slow rhythms (bass and drums, almost spece-trip Can-like on "Best regards"), towards more psychedelica touches, with good surfing organ with bass, and electric guitar, (especially on "Everytime"), quiter acoustic rock songs with attention to the instrumental rhyhmic evolution (like "Me queda um bejou" or "Medication#3"), or the voodoo fantasies, driven playful psychedelic rhythms on "Plain Vanilla" (the group title Gris Gris refers, like the brilliant Dr.John record does, to the New Orleans voodoo practices). Last track, "Winter Weather",  with dual vocals, is a bit nearer to Greg Ashley's solo singer-songwriter work.

Even when the final musical effect of this group has a post-indierock feel, it has lots of 60's flavours to it. Well done, but the album might need a few listens to appreciate fully.

Audio : "Raygun","Mary #38", "Everytime"
Short MP3 clips : http://www.midheaven.com/artists/gris.gris.html
Info : http://www.birdmanrecords.com/grisgris.html
& http://www.mp3.com/the-gris-gris/artists/608948/biography.html
Other review : http://www.dustedmagazine.com/reviews/1749
& http://www.tinymixtapes.com/musicreviews/g/gris_gris.htm
& http://www.creemmedia.com/RockARama/RockARama15.html#GrisGris
& (near the end of page:)  http://www.highbias.com/reviews/20040801_short1.html
& http://www.digitalisindustries.com/foxyd/gris_gris.html
& http://www.thecrutch.net/musicreview/grisgris.html
Interview : http://www.odysseyzine.com/articles/interview_thegrisgris.html
Pacemaker/Lion Prod.   The Folklords : Release the Sunshine (CAN,1967)**°°

This is nice 60’s psychedelia from Toronto (-many fine psychedelia in those days came from Toronto-) with an acoustic feeling, also thanks to a lot of use of autoharp rhythmic strumming, which is one of their own specific elements, which I don’t know from anywhere else. Another really original element is their sweet harmony vocals, with lead and dreamy vocals, and of course the crafty songs.

The remastered album has a great sound, better than the earlier vinyl reissue version I heard. The album was originally published on the independent Allied label which is known for various other collectables (Plastic Cloud, Reign Ghost, Intersystems).

PS. Autoharp player and singer Martha Johnson later played with Martha and The Muffins.

Audio : "Jennifer Lee", "Don't Hide Your Love From Me" (or here -only first track !--
Homepage of The Folklords man Tom Martin (= Tom Waschkowski) :
http://www.thefolklords.com/pgs/about.html
Acme/Lion Prod.  The Attack : the complete recordings from 1967-1968-(UK,re.2005)***°

This is a very good collection of British freakbeat which has often a hard-edged, almost garage punk feel or elsewhere pre-hard rock freakbeat in the bass and drums, some Yardbirds feel in the vocals, guitars, and some good electric guitar. This is a collection the quartet’s five recorded singles with five additional tracks. Sometimes it’s really great to hear some talents in their young and wild years. Alan Whithead left to form Marmalade ; Davey O’List (here mentioned as David John) joined (Keith Emmerson's) The Nice, and the rest of the band evolved into the Andromeda. Strangely enough the previously unreleased "Mr.Pinnodmy's Dilemma" sounds like a crossroad between early hardrock and a kind of vocalist classical theme with a kind of pre-The Nice idea. The first 10 track show some essential tracks for freakbeat lovers. Last couple of tracks show much more the youngster visions in song focus, with fantasy or some arrogance, a bit more away from the garage rock sound, slightly into psych-pop territory, still with a strong slightly aggressive sound.

Info on band : http://www.vh1.com/artists/az/attack_1_/bio.jhtml
Sublabel : http://www.acmerecords.co.uk
Label info : http://www.lionproductions.org/... (from http://www.lionproductions.org/)
demoAmbassadors Of Plush : 3track demo EP (UK,2005)**°

First track is a bit too much humour music. The three other tracks show a somewhat folky psych style with clearly early Pink Floyd with Syd Barrett influence....

More info : Ben Browton
PS. Ben Browton played in a punk band before called The Shapes (1977-1980)
Go to next review pages->
(more 60s Psych related)
or go back to psych / prog music index
or go back to general music index