Printable version of http://psychemusic.org/KOREAradioshow.html: KOREAN FOLK-POP & PSYCH-ROCK (CD reissues) 4 HOURS LONG RADIOSHOW ON 2009-NOV-7 at 6-10 PM European Time. Click player on http://streaming.radiocentraal.org/ PART 1 : folk-pop: * Music Research One Plus One : First Album (KO,1973,re.2007)*° Tr.6, (title ?) 3 min Technically these are god voices of western-styled, soft mainstream song based pop music with Korean pop touch. Good for its genre, but not at all the sort of music for collectors of psych/acid folk. Most of it is more schlager-like, but the 6th track in delicate folk-pop style is worth taking out. * Music Research   Toi Et Moi (=Chang-Shik and Yoon Hyong-Jo) : 1 (KO,1970,re.2004)***°' Tr.6, "title ?" 3 min Tr.7, "Summer Wine" 3 min Tr.9, "Donna Donna" 3 min 9 -12 Like the other two albums I know from the duo, you can hear a brilliant dual vocal innocence and refinement which was rather unique. Especially for some of the covers there is a pastoral psych-folk flavour comparable to let's say Sallyangie or so. Covered are known sometimes mainstream western hits, with the least favourite Simon And Garfunkel's. Further we have Everly Brothers' "let it be me", "Edelweiss" (still ok!), Donovan's "Jennifer Juniper",  Nancy Sinatra' "Summer Wine", Donovan's or Joan Baez' "Donna Donna" and Gene Pitney's "If I Didn't Have A Dime", of which some versions are really sweet, soft and sensitive. I especially like side B. * Music Research   Lee Yeon Sil : First Album (KO,1973,re.2005)***°° Tr.1, "title ?" 4 min Tr.2, "title ?" 4 min Tr.3, "title ?" 5 min -25 Much more the real thing compared to the mainsream song related folk albums on this page. Very beautiful angelic-innocent voice and sometimes nice cello/flute/oboe and here and there chamber orchestra arrangements, a nice combination of western early 60s pop music with Korean inspirations and flavours. Almost no percussion is used. The third track is a very beautiful deep emotional and moving melancholic song accompanied by acoustic guitar arrangements (-one of the most beautiful melancholic song interpretations I have heard-). There are several (folk-rock/folk) covers involved but I can't say for sure what they all are. One is Bob Dylan I think and another one "Amazing Grace" (not the best choice on the album, but still ok for its arrangement & interpretation). Last tracks are rather sparsely arranged. Recommended! * Music Research   Babodeuli Haengjin (='March of Fools') : Golden Best album (vol.1) (KO,1975,re.2005)*°° = soundtrack by Song Chang Sik & Lee Jang Hee Tr.3, (title ??) 3 min 28 Most of the album is somewhat disappointing for me, for its easy mainstream use of rhythms and schlager-like pop songs, song festival-pop like at times with some kitschy approaches. The few fuzz guitar parts and organ can’t compensate enough, for collectors this 60s pop album is not rewarding enough. I chose only one song that stands out. * Music Research   Kim Se Whan : Golden Album (KO,1980s)°°° Tr.15, (title ??) 4 min 32 Mellow Pop/folk-pop, soft-rock album acoustic with some electric elements, some electric organ and Hammond (?) organ and (kitschy use of) moog(?), with little or soft percussion, mainstream in nature with western song pop context, sung in Korean, at times with sweet dual vocals. One very different track (the worst one) with brass orchestra sounds like a communist nationalist song. Style : early 60s. Most of it is rather forgettable. The 15th track with fuzz guitar, piano, acoustic guitar, drums however sounds rather good. * Music Research  Jeong (=Cheong) Tae Choon : 1st album Love and life and at the time of eternity (KO,1978,re.2008)**°’ Tr.5, “Swing” 3 min Tr.6, “Song of Mok-Po (80 years old)” 5 min 8 -40 Acoustic song-writing album in a special more typical Korean sometimes mellow style. This was possibly influenced by Bob Dylan (use of a few mouth harmonica passages) or other acoustic songwriters and Korean folk songs. There are parts with lush orchestrations (keyboards here and there?) and some small band arrangements. I preferred to pick out two songs with a strong Korean influence. Digitally remastered from original reel tapes. * Music Research Jeong Tae Choon : 2nd album Poet's village (KO,1980,re.2008)°°° Tr.1, “This Night” 4 min Tr.4, “Hometown” 4 min 8 -48 This follow-up has keyboard textures instead of orchestrations this time. The harmonies and musical modes sounds strange now and then (like track 3), and there’s also a croony mellowness increasing making certain tracks less attractive to western listeners. A few tracks still stand out. According to mrkwang.com : “Jung Tae Choon is one of best Korean Modern Folk singer. Later his music became protest against goverment, but his earlier works were pure modern folk.” * Riverman Music April and May : Best (KO,1973)**°° (Tr.1, (title ?)  4 min) Tr.3, (title ?)  3 min Tr.5, (title ?) 5 min 8 -56 Charming, song-related folk-rock with 2 slightly mellow male harmony singers, some tracks also orchestrated (strings and brass), accompanied by an electric rock band (with some nice organ giving a psych touch here and there). 60s styled with some lalala backings. Sung in Korean. It took me two different listens, but it is a nice one. I assume there will be some western pop covers involved but I don’t recognise any of them. Track 5 featured some Korean folk instrument and I think has a Korean folk origin but still sounds interpreted like a western pop song mixed with Korean folk origin with the crossover lyrics repeating a phrase with "ding dong dee". "April & May is the group that Lee Soo-man (founder of SM Entertainment) belonged to when he was attending Seoul National University in the 1970s. Hard to believe that the man who gave us H.O.T and Super Junior used to be in a big folk-rock band."             next album -> * Riverman Music April and May : vol.2 (KO,1973)***° Tr.3, (title ?)  4 min Tr.6, (title ?) 3 min Tr.10, (title ?) 3 min 10 -66 Nice (often) dual harmony vocal pop-rock songs greatly arranged in studio with folk-rock arrangements, sparse flute arrangements and some orchestration here and there or some fine fuzz/rock elements, extra percussion with relaxed congas. A really nice 60s, at times psych flavoured, pop/rock album, which sounds like an improvement to the previous one. 24 bit remastered edition. * Riverman Rec. O Se Eun : (4th album) (KO,1981,re.2004)*°°°’ Tr.8, (title ?)  4 min -70 I expected more originality from this one, trusting Riverman’s choice of reissuing rare Korean albums. There’s use of keyboards/organ, a pop/rock approach with attempts of more progressive use of guitars/organ (track 4), while most songs still are more mainstream. One track is soft blues-rock (track 5). But there is however one outstanding original track that makes up a lot(track 8) for its high note baroque theme on keyboards, taken over by two acoustic guitars, a highly original song arrangement. Last track shows also some rather rewarding arrangement on dual fuzz guitars (but still on a not too convincing song). Nice sleeve, but a less rewarding album. * T- Entertainment Kim Yoon Ah : vol.2 Glass Mask (KO,2004)**°° Tr.4, "Nocturne" 5 min This is the second solo album by the singer of popular band's (Ugly Duckling/) Jaurim. The most memorable and also recommended track, romantic and melancholic orchestrated pop with a rather gothic content has all that is needed to be successful and is highly recognisable, almost universal with all its elements. In a neo-classical fashionable sense this is about the feeling of missing someone. The neo-classical pop is present elsewhere too, in forms of a tango, a bossa nova, and such but without really getting to the soul essence of the styles through enriching its expressions and possibilities or contents, unfortunately the whole thing remains a like a vague superficial idea. It is however Kim Yoon Ah who complained in one interview how pop music in Korea was too much imitating the American R&B pop styles (as superficial empty and ego driven styles perhaps), with toio less zattention to independent labels or movements. The new city boys and girls that way often don't seem to find the time to absorb any other influences or known their past or get easily to deeper musical ideas this way. Compared to the 60s and 70s the new folk singers were much more commonly innocent combining true experiences with a love for deeper lying expressions. For the new generation this is a small recognisable for all moment filled with sadness... Youtube translation of lyrics : "The wind blowing away makes me at ease. I have been missing you so badly till spring is almost gone. Petals are scattered at night in late spring. I can't even got over his smell. When is he coming? I am so looking forward to seeing him. Just like a petal with a lot of sorrow on. Hollow late night spring. Is he coming this time? I have been missing him so badly. Hesitately, cloud told me that he forgot you. Making relationship when people live is in vain like a thread. The blowing wind makes flowers fall. Is he on his way now? I am so looking forward to see him again." Bonus track (item from previous radioshow) : * Daesong Music Locust : The Shadow (KO,1980) **°° Tr.5, 5 min 80 (never airplayed before !!) PART 2 : psych-pop & psych-rock from the 'GROUP SOUNDS' era. * Music Research Bong Bong (KO,1972,re.2008)***° Tr.1, (title ?) 4 min Tr.2, (title ?) 3 min Tr.4, “The Lion Sleeps Tonight” 3 min Tr.9, (title ?) 3 min Tr.10, “My Lady” (Moody Blues) 3 min 16 Described by the traders where I found the album as sounding like Everly Brothers, this is a rather special 60s psych-pop (mostly cover) album (sung in Korean), especially because of its happy, sunshine-esque and often humoristic (if not at times slightly grotesque) approach in the vocal harmonies, including the usual pompompoms. Also the lush orchestrations to it are really attractive. A few tracks have nice fuzz guitar. A worthy album to trace ! * Rhythm-On Devils : First Album (KO,1971)**°°' Tr.2, (title?) 4 min Tr.10, (title?) 4 min Tr.11, (title?) 5 min 13 -29 Starting the album with slightly mainstream songs (especially the songs themselves, the way of singing and the easy rhythms) this is softly rocking pop music with influences of post-rock'n roll (especially for the sax arrangements, somewhat in the relaxed guitar playing), pop-psych (the organ use, some wahwah) and 60s pop influences (amateurish drums, some harmony vocals). There are also some not too convincing covers involved, like a rather tame "Proud Mary" (Credence Clearwater) with however some good wahwah guitar and sax. The Korean songs I think are more entertaining and original, like the last two tracks which add some extra original factor to the album. next album-> * Rhythm-On Devils : (Second Album) (KO,1974)**°' Tr.9, 3 min -32 The first track sounds first from a later style of development (late 60s/early 70s inspired) a psych pop-rock flavoured style, with rock band (including organ) with some brass arrangement too and some harmony vocals, hanging just slightly in more mainstream pop area. This mainstream nostalgic pop aspect remains more dominating elsewhere (like soulful relaxed pop with kitschy vibrating background organ, some melodic hang with-me-brass arrangements), or shows a rather ok mix of both worlds (which means a mix of mainstream soulpop and psychpop/rock) The ninth track is a fine funky soul-rock go go instrumental with a good use of rhythms. For me, it remains the standing out track. * Ponycanyon Add4 : First Album (KO,1963,re.2007)***°/**°° Tr.8, 3 min Tr.12, 5 min Tr.13, 3 min 11 -43 This is a really interesting and enjoyable album from early Korean rock, under the influence of rock’n roll, late twist area, at times the pre-Beatles area mostly some tracks more in the crooner/pop song music area. The guitars are attractive and calm, the percussion is interesting as well. They play a bit like a soft rock band with a primitive honesty like in garage rock, but in a more subtle way and also a more sophisticated way of performance, more like a TV show band, while in fact with a more wild, honest and creative side. Some tracks have nice harmony backing vocals, with some small parts of well fitting backing orchestration, and occasional instruments like rock’n roll sax or piano arrangements. The more song/chanson tracks are mostly sung by a female voice. A very enjoyable, rewarding release. Official reissued release supported by the Korean Ministry of Culture and Tourism. Mark Russel : “The songs are quite interesting. Not nearly as "psychedelic" as the Shin Joong-hyun's post-Pearl Sisters stuff. Must more of a pre-Beatles sound (as you would expect in a record coming out in the early 1960s). Most interesting to me, though, is how many of the songs on this album would turn up later. Including the huge hit of 1968, “One Cup Of Coffee” ("Keopi Hanjan"), although on this album it bears the name “Naesogeul Taeneun Gureyo”. “Badatga” also turned up on a Key Boys album, and Seo Yun-seok would sing “Soya Eoseo Gaja”. Anyhow, it is a piece of history and well worth picking up. From http://asianbeat.com/en/feature/ab_feature_30.html : "The drummer in ADD4 was Choi Yon Pil, who went on to become a famous singer in Japan." Review on http://shamethreshold.blogspot.com/2008/12/korean-psych-rock-week.html : The Album- The Add 4' First Album (or sometimes referred to as The Woman in Rain-The Add 4' First Album). The record, which was released in 1963 or 64 depending on where you get your information is very similar in sound to American Surf and Beat music from that era. The Add 4 enlisted the instrumental sound of bands like say, The Ventures, The Surfari's, the Trashmen, and Dick Dale and the Deltones, but managed to lay down some swinging vocals and very catchy (despite my not being able to understand them) vocals. In fact, as I write this review it is occurring to me that this album is not so much psych rock as it is proto-psych rock, in this case manifested as Surf Rock. For fans of the aforementioned bands, Link Wray and the Wraymen, the Chantays, and early Duane Eddy I would highly recommend this album. The album manages to stray away from strictly fitting into the surf rock genre, thus avoiding being labeled as a simple, derivative record. The album incorporates both violin and flute(which would be a major instrument in later Shin Jung Hyun manifestations) as well as organ tunes into it's repatoire. As far as song length goes, the album really runs the gamut, with catchy 2 minute surf ditties to 12 and half minute long psychedelic surf odysseys (This particular song adding the only accompaniment by a female vocalist on the album). The album straddles the distance between traditional surf music and regional psych/beat music (think Cambodian Psychout! or Cambodia Rocks). A must have for fans of surf, asian beat, and proto psych rock. Vaguely translated from Korean source : "ADD4 refers to the chord.The association with the "Fab 4" might sound obvious, but we should not forget the band was established in 1962, before the Fab4 were known. The band Key Boys used a comparable reference to complete the associations." * Oasis Rec. He6 (KO,1972)****/***° (Tr.4, (title ?) 4 min) Tr.5, "Sun at quality time (?)" 2 min Tr.6, "Beautiful doll (Get Ready)" 15 min -58 The first 5 songs are nice 60s (psych-flavoured) pop-rock songs with harmony vocals and use of organ. Included amongst them is a cover of Procol Harum’s “A Whiter Shade of Pale”. An approach sounding fine already. More unusual is a near 15 minute improvisation based upon The Temptations “Get Ready”, with great smooth and at some stage strangely montone-hypnotic psych organ, wild fuzz guitar solos and some fine drumming, with a rather expanded drum solo, before ending this with an outro of Chicago’s “Color My World” a song led by piano, a smooth and simple, relaxed ending. * Music Research Key Brothers : Go Go Dance (KO,1971,re.2004)****' (Tr.1, ("title?") 3 min) Tr.2, 4 min Tr.3, 5 min 9 -67 Like most Korean 70s 'go go' albums this shows one of the more gifted psychedelic bands capable of showing skilful long jams. The longest track however is only 10 minutes and I think is just a leftover with great switches and themes of a much longer jam, showing only a glimpse how mighty this band could or must have been. Besides some nice organ, the slightly exotic multiple percussion shown on two tracks is really amazing. A really fine and recommended psych collector’s album. (I call the first track a great 60s "psych crooner). Meetovermoscow : "The Key Brothers' melodramatic psych rock is a bastion of fuzzed out guitars, morose keyboards and the best of Korean wailing rock vocals I've heard thus far. A real musical masterpiece of drama, fuzzed out fun and the best 9-minute cover of 'Love Potion No. 9' you'll ever here. Listen to this when you're feeling the urge to either drop acid and cry about the love you lost, or when you're trying to cook fish. Either way, this album works." * Jigu Shin Jung Hyun & Yup Juns : Instrumental Best (KO,1975,re.1994)****/***° Tr.2, "title?" 4 min Tr.4, "title?" 6 min Tr.5, "title?" 5 min 14 -81 This album is clearly played by a psych-rock band, but very relaxed and smoothly, like a public friendly instrumental album (as if assembling a sort of "easy listening psych-rock" album). The psych-rock band with guitarist Shin Jung Hyun, and a flute player occasionally playing as if replacing a singer is very attractive too. Quite funny is how the band on the 5th track took a moment to speed up the rhythm with a small freak-out occasion, laughing with the effect of it in the end. An extremely enjoyable album. Not very expensive actually, if you can find one. I recognised some of the "song" instrumentals..(like track 9). * Jigu Shin Jung Hyun & Yup Juns : vol.2 (KO,1975,re.1994)***°/**°' A good album of psych-rock style with some nice close harmony vocals, but there are also a few more smoothly going songs, probably a demand from the label. Still a fine album, clearly from a good band which (like instrumental best) hold their temprament back quite a bit. I didn't airplay it because it doesn't add much more to the last album & tracks.. Other review on http://shamethreshold.blogspot.com/2008/12/shin-jung-hyun-yup-yuns-vol2.html : "This one is a pretty short little number clocking in at about 28 minutes with 8 tracks. Most of the album is truthfully pretty pedestrian. The songs are sub par psychedelic folk tunes with repetitive licks. The real significance of this album is that it includes the earliest recording I could find (granted this is not a definitive statement on the progression of this song) of Shin Jung Hyun's masterpiece "Beautiful Country" or sometimes referred to as "Beautiful Korea." The song itself has an interesting history. The song was a response to President Park Chung Hee's request that the S. Korean rock legend write a song praising the president's grandeur. SJH flatly refused and instead wrote a song praising his country. The song is pretty epic. The version on this album is one of the shorter ones I have come across, clocking in at 7:56. Most versions of the song seem to hover around 8-10 minutes long. While the version on Vol. 2 is probably my least favorite and most straight forward, it is still an amazing accomplishment and it is no wonder SJH continued to rework and revisit this song throughout his career. The song is punctuated by long, groovy psychout guitar solo's, beautiful vocals, and a wonderfully circular song structure. The song conjures images of Korean hippies spinning around atop a beautiful pastoral hillside until they fall down only to stay on the ground and stare at shape shifting clouds. Totally Epic. Totally Rad." * World Psychedelia Shin Jung Hyun & The Men : It's a Lie (KO,1972,re.2005)****° Tr.2, "It's a Lie" 23 min Tr.3, "A Woman in the Mist" 12 min 35 -116 On the first track, the band develops much more their style into psychedelic and greatly rocking sounds with nice oboe, harmony vocals, and strong groove. The second and longest long track is psychedelic bliss, a 23 minute excursion with a beautiful improvised, stretched and at times weird psychedelic organ solo, some psychedelic clarinet solo, some nice electric guitar improvisations (while the drums remain rather steady in their rhythms), concluding with the song theme with a psychedelic rock background. Also the last track is a great band improvisation of repetitive bass/organ and a freedom for the guitarist, and a bit further on for the organist. Amongst the best and most convincing Korean albums, and surely one of the most psychedelic ones. A must-have. Description on Forced Exposure : "'My Job is to Make Rock Music in Korean Style'. Guitarist Shin Jung Hyun is considered the father of Korean rock music, his career beginning in the mid-50's playing at post-war US Army bases. During the late sixties and early seventies his garage bands Donkeys and Questions composed hit singles and provided backing for the popular female vocalists of the time, such as Kim Jung-Mi and the Pearl Sisters. But it is the 1972-1973 recordings with his psychedelic group The Men that gets the blood flowing of international rock music explorers. Due to commercial demands of the record labels, the original LP's were configured as a side of shorter, poppier tracks with guest singers, while the flip was where the band was allowed to 'stretch out'. World Psychedelia has selected three of the best of these longer excursions -- 'Beautiful Country', 'It's A Lie' and 'A Woman In The Mist' -- forty-four minutes of oil-emulsion-slide acid rock with fluid guitar, organ textures and an occasional ethnic woodwind to gently remind the listener that the origin is SK not SF." Description on Dusty Groove : "Groovy psychedelia from early 70s Korea -- the titanic self-titled effort by Shin Jung Hyen & The Men! The notes and titles are in Korean, so we can't offer much in the way of biographical or historical details -- but the sound is rich with soaring organ work, groovy, groovy harmony vocals, chiming guitars and drums -- with epic length numbers that really set sights on the most ambitious and groovy late psychedelic rock and pop -- and totally hits the mark! 3 massive tracks (titles are Korean), the shortest nearly 10 minutes and the longest nearly 23 minutes long!" Other Music : "...The record at hand was recorded with his group The Men and probably dates from around 1973. It's comprised of three wonderfully long psychedelic rock jams, and on every single song his rhythm section provides a chugging forward beat (imagine a Korean Neu! perhaps) over which Hyun and his cohorts play astonishingly inventive solos. The band will periodically drop out and Hyun will then chime in with his lovely sing/whispering and somehow turn a 20-minute extended jam into a pop tune." Korean blog : "Yoon Yong Kyoon provides the (male) vocals for the first side of the third "and the Men" LP released in 1973. The only song on Side Two is "The Men's" 22 plus minute psychadelic classic, "It's a Lie" (Ka Ja Mal I Ya)" Aquarius Records : "Another one for everybody who loved the groovy HE 6 album we listed not long ago! Guitar player Shin Jung Hyun was a big deal in the South Korean rock n' roll scene, going as far back as the '50s, when he played for the GIs on American military bases. His music even was apparently the subject of a tribute album a few years ago. In the late sixties/early seventies psychedelia took hold, and Shin Jung Hyun did it as well or better than anyone... totally funky, tripped-out, acid-rock freakdom. Lots and lots of acid-fuzz guitar jamming with bass, drums, organ and some flute too. Maybe for that reason this reminds us a bit of Dungen, actually. The material on this album (which may actually be entited It's A Lie, we're not sure) dates around 1972 or so. Though 44 minutes long, there's just three songs here, "Beautiful Country", "It's A Lie" and "Woman In The Mist", all consequently long and meandering (yet rhythmically tight, believe it), and mostly instrumental. It seems that these three might have originally been the extended flip-sides to shorter, more commerical cuts, compiled onto this disc for the benefit of anyone into far-out psych jamming as wedded to Asian pop of the era. Not so much heavy as it is simply seriously groovy and right-on, Shin Jung and The Men blend garage rock/surf/Frisco ballroom styles into a head-nodding, toe-tapping, mind-blowing, utterly dazzling unravelling of whatever "song" it seems they started off playing. That means: the singer does some nice kinda soft psych pop crooning to start things off, but he soon disappears and the band just takes off into outer realms, doing their thing and stretching out without care for commerical (radio play) considerations. Eventually the singer shows up again, but it's as if he left the room and then came back in some minutes later to finish the song, utterly unaware of what his band had been up to in the interim! We can only imagine what their live shows were like, must have been killer -- as this disc is, killer." Rockadrome description : "..there’s no mystery about the greatness of the three long tracks on this disc! minimal moody vocals don’t interfere in the slightest with the incredible fuzz and wah-wah guitar solos, the groovy and weird keyboards, the monster drum solos, or the oboe (yep, the oboe); truly psychedelic songs with all the strangeness that a non-Anglo approach to trippy music seems to engender, with touches of the Doors and early Hawkwind, if you need non-Asian reference points; I now fully comprehend why Koreans call this Shin Jung Hyun’s best record, and “a psychedelic gem. * ENE Media Korea Linus (KO,1980,re.2004)**°° Tr.7, (title?) 4 min -120 Hardrockish album which still listens for most part rather fine, even when more tracks sound more pop-rockish, which will surely appeal less to people with certain expectations, the lack of harder edge near the end also give it a less convincing ending. The harder tracks still sound strongest (electric guitars, drums and Hammond organ). This track more or less stands out as being the best execution of their style. If all tracks were equally good this would have been a great collector. Unfortunately the mellower edge is stronger. BONUS tracks with items from previous shows (and most often new tracks !): -Shin Jung-Hyun and Yupjeons 1st (version 1 : digipack 1st pressing) Tr.7, 5 min Folkie Jin : This record was reissued only CD format in 2003. A Korean psychedelic rock masterpiece!! Only this album released about 500 copies!! First pressing has not the A5 and B5 song, but only it just appeared the songs on the cover track list. Members are Shin Jung-Hyun(Guitar and Vocal), Lee Nam-Lee (Bass), Kim Ho-Sik(Drum). It is different Musical performance and Drummer compared to the second pressing. The first pressing was reissued only with a paper sleeve gate fold cover on CD format at recently days. First pressing had a psychedelic musical performances. The second pressing had hard rock styled musical performances. The reason is that record company wants popular rock sounds, and while the first pressing is not, they wanted to record it again. That's how shin jung hyun had to record it again. First pressings were only given to a broadcasting station. So it was a very rare and expensive (over 900$) at these days. Second pressing is not so rare and low price (under 100$). First pressing was reissued only by C.D, but at the reissue C.D dubbed guitar sounds. So I missed it!! This first pressing is best in fact the best combination of styles (of Western rock music combined with Korean traditional rhythms) of all his records. It is a great eastern pyschedelia!! Only I just can say that "He almost completed his hope (to combine Western music with Korean traditional rhythm) at this album." Just you must feel it!! This record was reissued on CD format in 1994. First pressing and Second pressing have different track list order, and music Performance. Members are Shin Jung-Hyun(Guitar and Vocal), Lee Nam-I (Bass), Kwan Young-Nam(Drum). This album is a Hard rock style of first pressings. -Shin Jung-Hyun and Yupjeons Jigu release (2nd pressing) Tr1, 4 min (version 2) ; Tr.7, 3 min, Tr8, 3 min Tr.9, 4 min Tr.10 8 min 23 120+23=143+80=223 (one track must still be taken out) BONUS track with items from previous shows (never airplayed before in my radio show!): -He6 : Would you He6 with go go Music ? vol 1 (KO,1971)***°° He6 live Theme 4 "Running Human" 17 min ->240 end show Splendid long psychedelic version of Iron Butterfly's classic.