FINNISH PROGRESSIVE / PSYCHEDELIC & CHAMBER-ROCK
review page 1

Aavikko (3x)
Alamaailman Vasarat (3x)
Circle (4x)
Cosmo Jones Beat Machine
Dasputnik (3x)
Desert Planet (2x)
Eleanoora Rosenholm
Ektroverde,
Flying Gardenia
Gnomus (3x)
Gourmet (2x)

Muysic For PeoplesAavikko : History of music
-selected non-album material 1995-2000- (FIN,2003)**°°°

Aavikko here shows a really great and musically rewarding mix of primitive 80’s synthesizer pop as an underground a gogo Kraftwerk mixed with a groove psychedelia feel covering Slavic, oriental, Ottoman or other kind of takeway inspirations, as a kind of faux-groove/surf psychedelia, or even electrodisco ("Holliday Inn"), mostly primitively recorded but oh so rewarding. Entertaining and serious like an electro-Renaldo & The Loaf. Their debut “Derek” was trademarked by the group as “surf-house to maniacal monkey-jazz, from delicate faux-lounge moments to grating avantgarde screech, from ethnic rhythms to quasi-disco boogie blast”. This is the most inventive primitive music I've heard for a long time. Everything I ever hated from the 80’s : the cheap synths and so on, here almost become like a new kind of maniacal ethno-surf like avant-garde. Pretty unique. Recommended (but too painful on headphones) !

Instruments Aavikko used according to the website : Akai MPC60, Akai S3000xl, Boss Dr.Sample, Boss Dr.Pad2, Boss Dr.Pad3, Casio SA-10 (destroyed violently in 1997 by an outraged audience member in Pietarsaari), Casio SA-20, Casio VL-Tone, Casio-210, Casio Rapman, First Drumpad, JHS Drum Synthesizer, Mattel Synsonic Electric Drum, Roland Juno Alpha,Roland SH-01, Ritm 2,Yamaha PSR-11, Yamaha PSR-21, Yamaha DX-11,Y amaha DD-5,Y amaha DD-10, Yamaha SU-10, Yamaha PSS-560.

Audio :  "Alas Volgaa", "Seikkailu Villi", "Eye of the Leopard"
Short audio tracks : http://www.jpc.de/jpcng/poprock/detail/-/iampartner/seinfo/hnum/1047071
German label release info (in German) : http://www.9pm-records.de/de/artist_1.htm
Homepage : http://www.aavikko.net/ & http://www.aavikko.net/internets.html
German reviews : http://musikreport.de/artikel.html?topic=112340
& http://www.indigo.de/unser_programm/titel/5058
& http://www.triggerfish.de/magazin/home_p8404.html
PS. New album is coming in April in Finland and May in G/A/S by 9pm records :



































Stupido Rec./9PM Rec.  Aavikko : Back from the Futer (FIN,2005)****°

Something very unique about Aavikko is their use of slightly exotic post-surf and other rhythmic ideas, into a playful child-friendly cybernetica & technology world where machines are your best friends, because they are actually meant as toys. The music is full of humour, with fascinating rhythms and melodies, and with an upbeat dance-rhythmic fun. It’s hard not to be affected by it ! Like early surf and rock’n roll had its effect on the listener, this post-Kraftwerk electronica is meant for comparable dance measures, with less serious emotions. Kraftwerk electronica is meant for a comparable shaking measures, with less serious emotions. The most crazy track, almost described by the title, is “Wot Wot Neozulu”. "Futer City” (with 3 guest vocalists) followed after this and also has great rhythmic changes. “P-Piste” has guest theremin player Lydia Cavina playing a light sad-funny tune in between all the more upbeat crazed hahas. “Capitano Argento” is also more filmic, like a cyber cowboy movie mixed with bazaar fatamorgana rhythms. Last track, "Diamond Pyramid" dissapears with its messages from out of space back into the ethereal origins. Splendid !

Audio : "Rosinante", "Homo Futurus", "Una Lira Soluzione", "Futer City", "Diamond Pyramid
Info : http://www.aavikko.net ; http://www.9pm-records.de ; http://de.wikipedia.org/wiki/Aavikko
Audiotrack : http://www.solnzerecords.com/aavikko-futer.html
2 Funny video’s : (not included on this album) :
"Eninen Mies" "Bolek Bolek", "Panama", "Kova Lääkitys"
Pictures of band : http://www.16tons.ru/rus/galery/aavikko.htmnext album see below->
Laskeuma Rec. Alamaailman Vasarat : Vasaraasia (2000)****

The CD starts very energetic with a similar style to the Belgian (Cro Magnon related) Fukkeduk at it's best, with layers of ska like trumpet and trombone on a metal bass line, drums, cello,.. Everything is energetic as a live concert, but in the same proportion well thought over & composed. Rock In Oppisitiin lovers (Univers Zero,..) will love this, as well as perhaps Klezmer music lovers. On the CD the rhythm changes so often that you can keep on listening to it with a clear mind. Like this the musical content remains thrilling. The more moody tracks, where a cello makes the mood, reminded my at the Swedish Fleshquartet. It is very accessible music. The balance between composition and energy, and its describing effect to the listener is done in so good measures, I think this product is surely one of the best starters for a Chamber Music Rock/ RIO style interest."
PS. This Finnish group has more or less the same members as Höyri-Köne.

Original video : "Kebab tai henki!" audio : "Mamelukki & Musta Leski", "Asuntovelka"
Web page at http://www.vasarat.com/
Review with audio at http://www.cs.ruu.nl/people/jur/reviews/vasaraasia.html and at
http://www.rootster.com/cdroots/av-1.html
Review of seperate songs with audio at http://www.rootster.com/cdroots/av-1-songs.html
Review at http://www.galeon.com/progvisions/cri/av-vas_.htm and at
http://www.e-prog.net/bands/vasarat.htm and at http://www.hollowear.com/reviews/vasarat.html
and at http://test1.multikulti.de/wmce/index_3040.html and at
http://cranium-music.com/catalog/A_1664.htm and a Finnish review at
http://www.cc.jyu.fi/~rissepp/progelista/arvostelut/alamaailmanvasarat-lutakko.htm
Interview at http://www.galeon.com/progvisions/ent/av_.htm
Live pictures at http://webmail.nic.fi/~teijo/anek-kone/
I added some extra information about them in an attached text file.
Wolfgang Rec.   Alamaailman Vasarat : Käärmelautakunta (2003)****°

Their name means “Hammers of the underworld”, and this name becomes more significant. The symbol they use for it now very much remind me of Laibach’s territory, a combination of extreme communist and fascist reminders (see video’s). The music is compared to the earliest album more dramatic. While some labelled their music as being "Ethnic brass punk", "kosher-kebab jazz" of course the group adds more elements to their evolution. This is a kind of chamber rock music ensemble without electric guitars to convince. With an extra cellist, and sometimes almost metal bass a group like Apocalyptica might have it’s influence to go this direction. The klezmer and eastern folk flavoured like territories create story-like situations (the powerful video’s in 30’s style keeps on repeating in my head). A few more quiete passages, in brass chamber music style are as much entertaining. Powerful stuff !

Recommended to watch “violence trilogy” video part 1, part 2 ,part 3
Soundfiles : "Vasaraasialainen"
Other review : http://www.seaoftranquility.org/reviews.php?op=showcontent&id=1051
& http://www.pitchforkmedia.com/record-reviews/a/alamaailman-vasarat/kaarmelautakunta.shtml
& http://www.progreviews.com/reviews/display.php?rev=av-kaar
& http://www.finpop.net/music/alamaailman_vasarat.php
French review : http://traversesmag.org/chroniques/alamaailmanvasarat.htm
& http://www.gutsofdarkness.com/god/objet.php?objet=3210
German review : http://www.babyblaue-seiten.de/album_4118.html    
2007 album on next page->
TumultCircle : Andexelt (1998)**°

Description : This album varies from minimal alternative psychrock («Andexelt») with interwoven melodies ("Odultept") to dreamy modern trance music, as a transit with a thrilling space story ("Humusaar"). Several tracks after each other seem to express similar musical aspects, as if assembled out of a game of dice. With a stylistic "Pop Art spaceroom SF" atmosphere with some psychedelic tension I like perhaps "Lisääpui" best, as the most colourful track, recalling a slightly darkened dub room, where under this minimal light some trance psychedelic rock music is playing. The rhythms used on this album are much slower, compared to most Circle releases, creating, for Circle, this new area with some room for sparse interwoven melodies. Last track really is a trance soundscape, as the atmosphere of a waiting room for a next space travel until the ship finally leaves heading into space rock for a last time...

Other reviews : http://www.aural-innovations.com/issues/issue13/circle06.html
http://pitchforkmedia.com/record-reviews/c/circle/andexelt.shtml
http://www.aural-innovations.com/issues/issue11/circle05.html
Ektro Circle : Prospekt (2000)****

The first track "Dedofiktion" starts with repetitive patterns with a woody drum, minimal psychedelic guitar, moody bass guitar, adding floating Floydian high pitched tones. Despite of starting from a homely construction, this will soon enriches itself towards a high quality structured sound with full effect. "Gericht" immediately starts with a trance train rhythm, with added bells, brooding as being a living creature. In the next track, "Stimulance", this electric trance living complexity starts even sooner to appear, almost like an abstract machinery, with high pitched variations on a cyber like mystic layer, created as within a shamanistic circle of sounds ; "Wow !". "Varhain" is a Mushroom like (-I mean like the US band Mushroom-) minimal jazz track with psychedelic touches and once again Floydian melodies on top of that, taking over the lead and making this work as 'Spacerock Psychedelica'. "Aarre" is, just like the first track, minimal and repetitive with the continuation of this 'Mushroom' like hypnoticness, first without any clear direction, then becoming almost danceable. "Eripwre" also balances between dance music and the psychedelic area, without choosing either direction, until it reaches its peak within the full expression of its psychedelic elements, at that time crossing spontaneously the borders of its builded elements, and that with a very trance like effect to conclude.
This is a very good product indeed, and the best from Circle I heard so far. It's a must for  lovers of psychedelica and (more heavy) trance music.

Info : http://www.ektrorecords.com/releases/prospekt.html
Bad Vugum      Circle : Taantumus (2001)**°

Circle explores here even more some jazzy, modern sound scape moods. I think they started here from the minimal psychrock too, but within some more relaxed mood. Most of the tracks sound very modern alternative music with some rock and psychedelic touches. The result seemed a bit more monotone at places, at first hearing, because I didn't expect this sound from Circle at all. I could not even review this after first hearing because I was used to another kind of Circle. Moody atmospheres are build here. I heard mellotron, violin (-they might have used that a few times before-) and even flute as new elements. "Valtaisa Hahmo" added a more or less hard rock voice on the back with added Ethnic New Age flutes creating an atmosphere within a psychedelic rhythm ! Most tracks are moody psychedelica with now and then surprising elements like the one I described before. The loopy "Lyhytaallosta" and the short "Ranta" even added noise here. "Morn" has a funky psychedelic loop and harmonica, good to go out of the mind once more with the followed short track "Silvet", with weird hard rock vocals and fast complex heavy noisy psychedelica, but with some piano underneath ! The CD ends with one more moody track, and an extremely distorted noisy moody one (which is a bit too long for my taste for I don't like noise at all).
May be more interesting for alternative listeners this time.

Other review : http://www.aural-innovations.com/issues/issue17/circle07.html

Other items from the Circle group I heared :
* Ektro Circle : Zopalki **°
(one track is superb, almost Krautrock)
*Metamorphis  Circle : Pori °
(less appreciated by me ; difficult, with a few contempory classic elements)
*Ektro  Circle : Fraten *
(don't remember this very well ; I sold it later)
*Metadisc  Circle : Hissi ***°
(spacy loops psychedelica)
*Ektro Elektroverde : Pingvin **
(a bit more into jazz ! yes,..)
*Ektro  Ichtisalofamily : Interplay *

Web page at http://www.verkkotieto.fi/~jl1/index.html
(with discography at http://www.verkkotieto.fi/~jl1/cirdisco.html
and biography at http://www.verkkotieto.fi/~jl1/cirstory.html)
and at http://www.sci.fi/~phinnweb/circle/,and at http://www.lpg.fi/badvugum/circle.html (or http://apollo.lpg.fi/badvugum/circle.html at http://apollo.lpg.fi/badvugum/) and at http://ubl.artistdirect.com/fp2.asp?layout=a_bio&artistid=016761 and
http://www.tumult.net/catalog/circle.html (US-label) and
http://www.feldsparrecords.com/circle/circle.html (US-label)
and http://www.ektrorecords.com/releases.html
Some reviews at http://www.cranium.co.nz/catalog/A_267.htm
& http://gnosis2000.net/reviews/circle.htm
Review "Prospect" at http://www.ektrorecords.com/releases/prospekt.html
Other on Circle : http://www.klangbad.de/circle.htm
Ektro Rec.        Circle : Tulikoira (2005)***°

It's been a long time since I checked any new Circle album. And this is pretty different from the other previous Circle albums I know of. The first three tracks of the album have a kind of dark density with the energy focusing and circling around its own dark magical circular field, brought down further to black by the vocal parts. There’s a certain tempered aggressive tension, with some fast rhythmic slow nervosity here and there, all with somewhat unclear reasons where else to go to, except when some rhythmical sweeping up effects become like bursts of red in the dark rock tension. There is strangeness in it which does not reveal itself easily, or at least for me not after having overcome my first surprise. Some of the fast rhythmical parts here and there might have had its inspiration in metal, but have more a kind of dark rock energy instead. Some of the more theatrical singing at one point might have had inspiration with Magma but again are different in energy, in a different darker shape. Lastly, we get a successful and enjoyable track which has a much more open and directly fluent improvised structure with some variety in ideas, concluding nicely with a few hard rock chords.

Audio : "Rautakaarme"(or here), "Tulilintu", "Berserk"(or here)
Homepage : http://www.circlefinland.com/
Other review : http://tonevendor.com/item/20969
& http://www.unimeri.com/PsychotropicZone/reviews.en.php?...
& http://www.darla.com/catalog/desc.asp?id=10407
Dutch review : http://www.fileunder.nl/archives/2005/10/circle_tulikoir.php
Hot Igloo  Cosmo Jones Beat Machine : negrospiritualized (Fin,2003)**°

The first CD track started with a strong rhythmic progressive psych rock sound mixed with a dirty electro voice. I personally preferred not to hear such voices, very aggressive and almost  inhumane, but the sound of the band is very strong, and hearing the rest of the album when hearing variations of electrobluesrock voices it began to make sense to me. This vocal expression gives it a more rebellious dark underground sound.
The extra manically grunging rudeness in its sound is described as coming from the environment the group lives in. In their deserted faraway small community, living there is about survival in a half year of darkness and -30 degrees. Getting drunk and play faster not to think of these conditions is a harsh kind of escapism. The rock'n roll, rock, psychabilly, rough blues, and psychedelica are lying underneath a certain feeling of oppression. A certain bandpower breaks the primitive conditions, and ideas are melted, like icecold air becomes energetic and acceptable. Shall the Cosmo Jones Beat Machine beat its basic instincts through its creative process in its energetic pulsing struggle ? It has a tendency to do so, and when at certain points falling back on ideologically recognizable bluesy rock items the creativity of personal directions leads and wins enough throughout the scores.
For those who can imagine a grunge / rock like version of a Captain Beefheart like blues come close to the sound this band often is able to express.
Their first album was called "My style is Eurostyle". It's this kind of  a varied euro-style of bluesrock we can hear being performed. Well, the band expresses music I usually does not review. Maybe except for a few of the last tracks I believe the sound is expressive enough to pay some attention to.

Info : www.hotigloo.com
Stupido Rec./9PMDesert Planet : Mario built my hot rod (FIN,2005)***°°

For me this very funny but still serious music, partly in a post-Kraftwerk area but then in 2 dimensions, in their own unique way. It’s primitive post-disco electropop, meant as the perfect Pac-Man music, or, -on the (deliberate) edge of ridiculous and hilarious enjoyment-, it could also be the most absolute (Futuristic) 'Shopping Centre Pop’. Most inspiration comes from cheap video-games, with the funny sounds it produces, and the instrumental music it could present. The kind of alienation such somewhat innocent games like pac-man presents, with this music, is from one point of view presented as a completely innocent and presentable senility coming forth from a true inner child-like fun. A must for Kraftwerk -area Computerworld- fans !

Desert planet is actually Jukka Tarkiainen and Jari Mikkola from Aavikko, with VJ Antti Hovila joining them live, performing their music while wearing green helmets. (Aavikko review see up).

Info : http://personal.inet.fi/taide/junttila/desert/engani/mario.htm
& http://www.9pm-records.de/en/promo_5.htm
Video “Return of the Ninja Droids” (in WindowMedia format) ;
other Formats : http://personal.inet.fi/cool/ninjadroids/ ; older video here

next release further down->
Mizmaze           Ektroverde : Integral (1999)**'

Ektroverde succeeds in the first track(s) to have a kind of jazz fusion mood within something that can be called alternative progressive music, not the other way around  : the improvisation mood takes us immediately to something which is not or never was something from jazz fusion but is only coincidentally related.
"Orange" is a bit like the related group Circle. "Therefore" is optimistic futuristic pop art like in mood. The same kind of funny space electronica mixed with a slowly evolving loop repetition on "Pendant" sounds like a kind of easy listening kraut music.
"Gradient" is like a futuristic -because of the electronic loops and sounds- technicoloured movie. Surprisingly for me that track ends with an announcement in a train station for a train located nearby where I live in Belgium. And "Tanzania" is even more ambient electronica.

http://www.phinnweb.com/circle/ektroverde/
http://www.psychedelic-music.net/pmdb/db3/db_band.php4?id=323
http://www.vtoy.fi/~jl1/cirverde.html
Review : http://www.cs.uu.nl/people/jur/reviews/integral.html
& http://www.aural-innovations.com/issues/issue12/ektro02.html
Finish review : http://www.kuolleenmusiikinyhdistys.net/arvostelut/levye.htm#Ektroverde
Private           Flying Gardenia : On the way (2000)**

A compilation I received from Flying Gardenia sounded great. With the first tracks  it seemed they were a psychedelic group with some eastern influences in sound building, but there's much alternative rock in the group sound too. But even in that area you can never place them completely because they play their music so interesting the progressive element is always there. While the guitars float psychedelics in the sky their singing at some older tracks contains even a wave punk flavour. I personally don't like any wave punk flavours any where, but here it sounds really progressive and most interesting. Most of the time the voice has also a slight indie rock flavour although the accompanying composition progresses much more than that.

Tracks I choose for air play are track 4, "Salem" (1998) (4 min), track 1, "On The Way" (2000) (7 min), track 3, "Never-ending Road" (2000)(4 min)
More information about the band Flying Gardenia
you can find attached in a text file.
Contact : http://flyingardenia.cjb.net (an English version is coming soon)
and http://artists.mp3s.com/artists/222/flying_gardenia.html E-mail : gardenia@iobox.com
Fiasko Rec.                           Gnomus (2000)****            

Although I had to review some other albums first for preparing a radio program I couldn't put this item off. This is really incredible ! Electronic music combined with contemporary avant garde in a progressive expression, within a pleasant sound. The building soundscapes are done with clear vision. This is like a nightmare movie from someone kidnapped by a UFO. In the second track "Stramenta Mortifera" the movie has been crinckled into pieces, but a new jazzy tune tunes on. The 4th track,"Abramis Brama" with organ and electronics starts with an  atmosphere like in a surrealistic Italian Horror Movie with its tension slightly in rest, but not in ease. After some time it turns into a "shadowgame of a Middle East drama". Last track is much more peaceful, but experimental in a very three-dimensional way.

The music, completely improvised (and later edited digitally in studio), was recorded live in a church concert. The concept has been created like Krautrock concept, as a free-minded jazz excursion.

Very recommended stuff. 

Tracks chosen for airplay : 1, 11 min, Tr.2, 13 min.

Web Site at http://www.fiaskorecords.com/gnomus/index.html
Sound at http://artists.mp3s.com/artists/220/gnomus.html
Video-clip : (recommended listen !!):
http://www.fiaskorecords.com/av/gnomus160502a.ram   next->
Fiasko Rec.Gnomus : II (FIN,rec.2003,iss.2004)***°

Gnomus first release still is for me amongst the most interesting new releases from Finland I have heard so far, so I am pleased to hear the group has a second release. This is music recorded live during a tour in Finland.

Starting in a filmic ambient prog mood, (with the DX7 -electronic keyboard-, guitar, cymbals) the first track, “Sirens” develops into an odd/weird chords driven “freejazz” or avant-garde  kind of style (see the video for a similar result). The second track, “Hypnos” starts with a very original I shall call it Finnish-contemporary-ethno-Gregorian-syllable-driven-voice-ideas with bass and cymbals first, then with a jazzfusion improvisation style of some electronics that sound like a driving electric bass, electric guitar, skilful drums, electronic keyboards, moving towards highlighting improvisation forces, and then coming back to a mysterious ambient and experimental music atmosphere, with the last track, “Trauma” ; here the electronica becomes very weird again like contemporary ice-cream-car electronica with a repetitive hard avant-fusion bluesprog improvisation by the bass guitar, and fusion drums, again beautifully ending with a more quiet progressive and inventive individual sound to conclude.

Audio : http://cdbaby.com/cd/gnomus
Info : www.fiaskorecords.com/gnomus & http://www.fiaskorecords.com/artists/gnomus.en.php
Info on this release : http://www.fiaskorecords.com/records/FRCD-17.en.php
Info about drummer : http://www.fimic.fi/fimic/fimic.nsf/...
next Gnomus release ->
Fiasko Rec.Gnomus : Diagnosis (FIN,2007)****'

Each album of Gnomus seems to be inspired from a collection of ideas ready to burst out into one sonic improvisational concept, and then does this int trippy improvisation, structured and controlled but free of limiting boundaries of expression.

This new album, divided in logical sections, is like a soundtrack showing a new world. This might be their most adventurous release to date, using a rather groundbreaking talent, because with a seemingly irrationality of sound, they succeed in remaining logical with it, natural and extremely explorative. 

The opening section, “Briushtuwa”, for me sounds like a suggestive suggestion for a true next, inspired step for a Canterbury styled group: more improvised, avant-garde, and contemporary, a true sonic exploration. Just like the kind of nonsensical babble from the victims or saved ones who were struck by the Holy Spirit, in apostolic churches into narcotic epileptics, Gnomus' babbles, with a deformed voice, bubbles up with a similar and direct inspirations, in combination with almost electronic sounds of accompanied keyboards, fuzz bass, and rather wild drums. The drums are skilfully jazzy, the keyboards free-music like. The section evolves from a faster rhythmic energy to something more meditative in sound. The rhythm section here and elsewhere is inventive and always aware, jazz skilled. Rhythmically, the music, in its own very free form expression, drives further more funky jazzfusion-like, a renewing direction for the group. A new vocal part appears this time like a discussion, with parts of reverted and inverted language logics and muses. Even a dog takes part in the discussion, which becomes a more heavy one, a puppet-version of some street reality. (Last part was called “lumbago”). The next part, “Furunkel”, starts “moody with moog”, with slow bass, and in a sonic filmic way. More weird voices participate very far in the distance, like a humoristic version of punished crowds in hell echoing innocently like crows, and this with percussive touches like cymbals. The instrumental improvisation becomes really interesting with moog, organ, and strange sounds harmonies on high tones keyboards, from calmer to wilder, frenetic & frantic inspired bass, uncompromising in its exploration, vividly energetic, also thanks to the eclectically fitting drums. Some electric piano solo, electronic impulses that drip strange harmonies of a different world are even moody with totally new harmonies. While the website slightly warns that a “Listener may notice features from such musical phenomena as ambient, free jazz, radiophony, modalism and cacophony”, for me, some of these strange or new-sonic harmonies seems to be very consequently driven by “different” logics, as organised moving sounds. When it brings us back to the mechanically deformed voices, this time, this sounds like a free minded pseudo-African song inspiration, a entertaining version ? only seemingly inspired from the kind of slightly flipped-by-trips-in-trance, driven inspirations, this time with messages coming through as if coming from a different world. A slightly Magma-esque rock drive in bass and drums goes berserk with alienation, with sounds that makes us think something of the mind behind this was kidnapped by aliens, we can still hear their human logica and voices coming through, while fuzz bass and improvised keyboards of strange sounds adapt to the reachable part of the poor spirit, -a rather ground breaking improvisation with its own logic. Last part, adds metallic sounds, mixed with electronica and various improvised layers of keyboards. This sounds to me like a vision thousands of years into the future, to a moment of an inspiration which is recalling a composition of Bach, while cyborgs, old and rusty, and quirking, and new and with hip electronics, are attending.

The whole piece, which was recorded and mixed in three days, can be listened to with free-jazz associations, curiosity to adventurous proportions with progressive music associations, or even as some kind of imaginary soundtrack. Recommended !!

PS. Only afterwards I realized that all titles refers to diseases. So there must have been a sonic translation inspiration inspired on their effects..

Audio : http://cdbaby.com/cd/gnomus2
Info : www.fiaskorecords.com/gnomus & http://www.fiaskorecords.com/artists/gnomus.en.php
Fiasko Rec.                     Gourmet (2001)***°

Gourmet is a side project from Esa Onttone from Gnomus, Chamber Music Fusion.

"Items that can't be put so easily into categories, that define themselves and their musical ideas very clearly, are often signs to great items. Here we should call them "Progressive" (if they stand completely on their own, musically spoken) or "Fusions" (if they make bridges between musical genres). Everybody knows these two terms are more often used for certain fashions being made within these fields. In Finland many more progressive groups have roots in Jazz. The same for Gourmet. Beside this roots their vision goes further. Gourmet crosses borders, goes from one influence to another as if all exist within the same musical expression. They don't express the "raw" genres, but bring them, slightly backed, and reconsidered for a gourmet to be assimilated most lively. 'Gourmet' crosses all the fields between a classical composition, (European and South American) Folk and Free Jazz. The compositions are very clear, and mostly being played by el. guitar, sax,  trombone, double bass, drums, accordion and a few other instruments.
Another positive point is that the group never has a weak moment ever. Secondly I think that "the more you hear it the more you like it", another sign for a quality item that possibly will find the turntable year after year more often. Last sign for quality : within all the recognizable genres, and rhythms used, the music of Gourmet never has a predictable moment.

Recommended to Chamber Rock Music lovers with interest for real fusion, and for original urban jazz, often with the relaxedness of a tango, either as chamber music rock (smooth RIO), or a bit jazzier than that, sometimes crazy, or with crazy touches, sometimes possibly based upon crazed situations on ballroom occasions.."

Web site at http://www.fiaskorecords.com/gourmet/index.html
& http://www.fiaskorecords.com/artists/gourmet.en.php
E-mail : Esa Onttonen at eonttone@siba.finext
Fiasko Rec. Gourmet : Six Acres of Broken Hearts (FIN,2004)****

This is the very consistent second release of a kind of chamber music jazz.

The musical inspiration is ballroom-brass-orchestra-like, with, like the title and original inspiration, a cynical but serious amused tone. It’s most cynical tone is mostly driven by trombone player Ilmari Pohjola, witnessed and often approved by guitarist Esa Ontonnen, tempered with some seriousness by accordion / bandoneon player Veli Kujala, with amusement and harmony woven together by Mikko Innanen (composer and sax player), approved by Mika Kallio on drums.
"The Six acres of broken hearts" are like a cynical amusement saloon entertainment card board game put into music (see illustration), with all tragedy behind the movie scene (like with the more quiet, more melancholic tracks).
All members here are dressed up like Mexican bandits. The whole CD box is into parts of the game and board. I assume in theory you could actually really play the game during accompaniment of the recording, or the music itself could finish the job, story-wise.

Audio : http://www.cdbaby.com/cd/gourmet2
Info : http://www.fiaskorecords.com/records/FRCD-19.en.php
Fonal Rec.Eleanoora Rosenholm : Vainajan Muotokuva (FIN,2007)*°'

Most of the time, with a few more serious moments, this is funpop with post-80s-electropop electronica/keyboards, and rather upbeat rhythms (drums, but also bass driven), with rhythms that are dance-like but are not meant for the dance. On the singing are some vocal dynamics added for more attractive measurements. Nice-OK, but still a shame we miss the meaning in the lyrics.

Audio :"Mustu Ruusu","Kodinrakennusohjeethttp://www.myspace.com/eleanoorarosenholm
Label info : http://www.fonal.com/shop/eleanoorarosenholm_vainajanmuotokuva_cd
9PM Rec./Stupido Rec.Desert Planet : Moonrocks (FIN,2008)****'

Kraftwerk must be mentioned, because many people still don’t seem to understand that essence, that after their two first albums they became a band who presented the visual art form of Futurism as a musical form, as being an admiring identification with the vibrations of modern life and its inventions.
Desert Planet is no Kraftwerk-copying band, but in essence it does the same thing with an early computer based obsession using Commodores and such, and with music that recalls the first Arcade games. For this release they just make power-dance music, not necessary as obsessed Futurism fun, but still based upon simple synths melodies, heavy synthetic rhythms, for up tempo dance pleasure enthusiasm.
Some of the tracks have sequenced and simple game-alike programmed themes (especially those tracks mentioned as “featuring association of experimental electronics”, but I guess mostly it’s just music, which is just as great and perfect as I can imagine being like with this form of fun-electro music. My favourite of two bonus tracks is a waahwaahhee-electro effects remix (by the Suiss Bacalao).

Audio : "Green fireballs", "Short Circuit HQ" & on http://www.legalsounds.com/...
& on http://www.junodownload.com/...
Audio & info : http://www.myspace.com/desertplanet
Homepage : http://desertplanet.com/
Label info : http://www.9pm-records.de/en/news.htm#news1
& http://www.stupido.fi/recs/artist.php?lang=eng&id=12
Free digisingle : http://desertplanetcom.virtual27.nebula.fi/digisingle/index.htm
German reviews : http://schallplattenmann.de/a116930-Desert-Planet-Moonrocks.htm
& http://www.nordische-musik.de/1048-Desert-Planet.html
Bacalao homepage : http://www.bacalao.ch/
demo Dasputnik : Blatta Caverna (FIN,2008)**'

The band themselves describe their music (to describe in some way) they play instrumental spacerock in a “progressive way”, even when they think the word “progressive” today has lost a bit its meaning, their jam-based style picks up different elements along the way.

The EP has just two long tracks. “Cucaracha” is a rather improvised psychedelic/progressive rock track with sax improvisation to it and organ with the electric guitars. It is not too complicated, but still is convincing. The same can be said about the second track. I have heard this all before, the chords are simple and the tracks could deserve twice as much creative intentions in the details of arrangements, because now it sounds like a stretched outro. The sax and electric violin however brings much more life to the jam, kicking it well. I can hear already a good fundament for a convincing live sound.

Homepage : http://vasb.fi/dasputnik/ & with audio : http://www.myspace.com/dasputnik
& http://www.mikseri.net/artists/dasputnik.63923.php ; Video on youtube
official release ->
Art Safari records Dasputnik : Parapsykosis (FIN,2009)****

With Dasputniks official release, since I heard their demo debut not too long ago, the group seemed to have improved a lot. This is a perfect arranged and produced album with a fundament in spacerock jamming, but much more reworked down to earth and with a progressive rock feeling leaving the psychedelica intact, but adding thoughtful improvisations on top, with sax and with often Middle Eastern and perhaps even Turkish inspired guitars, and rhythms (5/8th), at times a bit like the Ozric Tentacles inspired band Mandragora, but then with more ideas added, like sax improvisation on top of all of this, and some nice keyboards ideas (electronic harpsichord, theremin sounds,..). This sound seems to have some influence of some global 70s progressive rock guitars sounds, I am not sure. Very good !!

Homepage : http://vasb.fi/dasputnik/ & with audio : http://www.myspace.com/dasputnik
& on http://maihinnousu.net/a/?artist_id=243                     next album->
Art Safari records     Dasputnik : Cyclokosmia (FIN,2011)***'

Dasputnik’s newest release has something of some of the new psych pioneer bands like Ozric Tentacles and Mandragora, while the way they worked out their improvisations in form around a certain complexity in rhythm modes is a bit more worked out, keeping a melodic clarity in the creation as well. Some of the guitar pickings are really interesting to hear. With sax on top this is very moody music, which isn’t entirely one predefined genre like psychedelia. They jams can keep up with smooth progressions through tightly hanging together arrangements and a nice group harmony building up various ideas along.

Homepage : http://www.dasputnik.net/ & with audio : http://www.myspace.com/dasputnik
Stupido records Aavikko : Novo Atlantis (FIN,2009)***'

Aavikko’s fourth album mostly is an instrumental album (just the first track is with some robot voice), very much like instrumental electropop from the 80s but with a faster speed of life. Lots of sequenced loops of bass and middle section tunes with some rhythm box and a bit less of drums and simple melodies, one or two improvising higher tones of at times analogue synths on top of the steady rhythms. The discoball electronica is still most often rather danceable, the extra elements in some tracks are programmed midi tunes, some vocal choir or exotic electronic rhythms. A real different element is a Baroque tune on organ by some Finnish baroque composer Egil Hoppel (“det nya Atlantis”). Not sure where this would lead the group to or why this is mixed in and evolved to. I still don’t see the accessed link yet from the sequenced energies with some improvisation tunes to the steady rhythmic baroque programming, the old almost mathematical tunes have their own sort of surreal exotism. If such composers would have lived now they might have been really involved with a band like Aavikka, who knows..

Audio : “Syntaksis”, "Dies Irae Discodelico", "Novo Atlantis II" or on http://www.7digital.com/...
Video (the making of) : http://phinnweb.blogspot.com/2009/03/aavikko-novo-atlantis.html
Info & audio : http://www.myspace.com/aavikko
Homepage : http://aavikko.net/
Label info (with audio) : http://www.stupido.fi/recs/artist.php?lang=eng&id=3


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