AFRICAN FUSIONS, CROSSOVERS AND PSYCH FROM OUTSIDE AFRICA

Ikebe Shakedown ('11)
Nomo ('08)
Karl Hector & The Malcouns ('11)
Orchestra Of Spheres ('11) (link)
Uniguity Rec.               Ikebe Shakedown (US,2011)***°

Named after a favourite Nigerian boogie tune, this Brooklyn-based band plays according to their own descriptions “with elements of cinematic soul, deep Disco, Afro-funk, and Boogaloo in all the right ways.” They use returning elements of afro-funky guitar rhythms, recreate like no other western band the real soul of 70s afro-beats with a clarity in use of layers, rhythms and arrangements, with African bottle and conga percussion and drums, with responding well arranged layers of nice harmonies of brass/horn arrangements, grooving with the sounds, like a light and gentle soulful groove-version of the real Afrofunk/soul and beyond related music from Nigeria and Benin. This works, in small changes in rhythm and focus on instruments and by small portions or with their not too long tracks. Succesful !

Audio : http://soundcloud.com/...
& http://jp.juno.co.uk/..
Homepage : http://www.ikebeshakedown.com
Info & audio : http://www.myspace.com/ikebeshakedown
& http://www.reverbnation.com/ikebeshakedown
Article : http://wesleyanargus.com/2009/09/25/afro-funksters-ikebe-shakedown/
Descriptions on : http://www.zvents.com/... & http://www.musicdirect.com/...
& http://mog.com/... & http://www.dustygroove.com/...
Ubiguity Rec.   Nomo : Ghost Rock (US,2008)****

Nomo is a Michigan-based collective. The band has its own particular sound, which has a couple of returning elements. One of its foundations is an electrified thumbpiano which makes its playing often sound closer to a steelpan than to the mbira/thiumbpiano itself, and of course we are still reminded of the new Congolese examples like Konono°1. There definitely is an afro-funk influence, but the final result more is a mixture of groove and jazz with detail in the rhythm section. At least two tracks are more influenced by Ethiopian jazz, still with a bit more multi-layered improvisation allowed. The danceable feeling remains important. To a degree many of the “new” arrangements recall something of some of Zukay/Can related releases as well.

Audio on http://www.youtube.com/...
Info & audio: http://www.myspace.com/nomomusic
Homepage : http://www.nomomusic.com/ ; Bio : http://billions.com/bios/nomobio.pdf
Label info & audio : http://www.ubiquityrecords.com/shop/products/...
Description : http://www.dustygroove.com/item.php?id=2tb6gjbxcv
Other reviews : http://pitchfork.com/reviews/albums/11966-ghost-rock/
& http://www.allaboutjazz.com/php/article.php?id=33107
& http://www2.metrotimes.com/music/review.asp?rid=24435
& http://exclaim.ca/Reviews/SoulFunkAndWorld/nomo-ghost_rock
& http://afrobeatblog.blogspot.com/2008/05/album-review-nomo-ghost-rock.html
& http://www.cyclicdefrost.com/blog/2008/12/24/nomo-ghost-rock-ubiquitycreative-vibes/
Ubiguity Rec.   Karl Hector & The Malcouns : Sahara Swing (US,2011)***

This is a team work project between Karl Hector (leader of the Funk Pilots), Jay Whitefield (producer and guitarist for the Poets of Rhythm and the Whitefield Brothers) and Thomas Myland and Zdenko Curlija (The Malcouns). The band has many elements that show them as a capable improvising afro-centric band (with a sporadic Ethiojazz influence) for their rhythm feeling, combinations of arrangements and grooves. In this they show strong poly-rhythmic attraction, the right brass accents, a few organ solo improvisations and so on. In the details they got it all. But then, they lack an architectural vision of a composer, of a band leader. It is as if they take out small fragments of grooves that work, then they fade them out. They don’t lead to anywhere, are not carried by some songs or compositions or visions.  At times they groove on easier achieved funky rhythms, but also there nothing extra added. In the right conditions they would be a great band, and maybe they are, but they don’t have a context to make it so, no extra visualising direction. This is good like sampling and even then it needs a DJ to recreate the moments. As a compilation of fragments even this could have been done with a better flow.

Audio : http://www.youtube.com/watch?v=sP6EZts8n3M
& http://www.myspace.com/themalcouns & http://boomkat.com/..
Info & audio : http://www.myspace.com/themalcouns
Album info & audio : http://www.stonesthrow.com/product/show/id/2982
Details : http://www.discogs.com/Karl-Hector-Malcouns-Sahara-Swing/release/1420634
Description : http://www.3hive.com/2008/06/karl_hector_the.php
& http://www.nowagainrecords.com/karl-hector-the-malcouns-sahara-swing/
& http://www.parisdjs.com/index.php/post/karl-hector-the-malcouns-sahara-swing
Description : http://www.dustygroove.com/item.php?id=6dr8wmp5fg&ref=index.php&anchor=570096
Other review on http://www.basic-soul.co.uk/reviews/artists-k-0-10.htm

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