AFRICAN PSYCH, CROSSOVERS AND NEW ORIGINAL MUSIC
PAGE 2 of Touareg Guitar bands
review page

Group Inerane ('04,'07,'11)
Group Doueh ('06,'09,'11)
Desert Rebel (DVD+CD) ('07,'07)
Tartit ('06)
"Festival In The Desert" (DVD) ('03)
Group Bombino/Bombino/Bambino ('04,'09,'11)
"Agadez, the music and the rebellion" (DVD)('10)
Kel Assouf ('11)
V.A.: Ishumar 1 & 2 ('08,'11)
Nabil Othmani ('10)
Toumast ('07)
Tamikrest ('11)
Etran Finatawa ('06,'11)
Tinariwen (CD+DVD)('06,'08,'09)
Ibrahim Djo Experience ('11)


IndependienteTinariwen : Aman Iman/Water is life (ML,2006)***°

From all Touareg bands most attention still went to the Desert guitar pioneer band Tinarwen, who’s members met in the army camps of Lybia. They were one of the first bands to travel abroad and give a name and a voice to the Touareg music style and their identity (starting in 2001 with a close cooperation with the Belgian Sfinx Festival, this led to a first world tour as well). Although two other recordings preceded this one, “Ampan Iman” can be seen as the most clear introduction of the band to a wider public. The booklet has beautiful photographs, and introduction by producer Justin Adams and of course the translation of the lyrics. The first track, “Cler Achel” is immediately recognisable in style, like the use of hand claps, a fine lead guitar with this guitar repeating the song melody line with some nice variations of accents, a danceable groove. In this track and several others the backing vocals are full of rich harmonies because of the variety of voices of mixed sexes, there is a nice response with a different in style more western guitar (by Justin Adams), a nice dialogue which sadly fades out quickly. There surely has been care taken to create a good sound production. Often the music has something repetitive, the energy still is boiling and pulsating in its energy. The lead guitar has, although never too complicated, some nice solos on top. The rhythms are kept soft and go along smoothly with the songs. It can be that some songs repeat something similar, a certain simplicity comes along, the attraction never really disappears. The last song is more acoustically led.

Homepage : http://www.tinariwen.com/ & http://www.myspace.com/172924657
Band info : http://nl.wikipedia.org/wiki/Tinariwen
Label : http://www.independiente.co.uk/

Audio on http://www.al-fann.com/...
Label info : http://independiente.greedbag.com/buy/aman-iman-water-is-life-3/
Other reviews : http://www.popmatters.com/... & http://www.musicbox-online.com/...
& http://worldmusic.about.com/... & http://www.bbc.co.uk/...
& http://www.flyglobalmusic.com... & http://www.sputnikmusic.com...
& http://www.musicbox-online.com/... & http://www.marbecks.co.nz/...
& http://www.acousticmusic.com/... & http://www.rfimusique.com/...
& http://dave-lucas.blogspot.com/... & http://www.dustedmagazine.com/...
& http://blogcritics.org/... & http://www.rockpaperscissors.biz/...
& http://www.guardian.co.uk/... & http://www.mondomix.com/...

IndependienteTinariwen : Imidiwan/Companions -CD+DVD- (ML,rec.2008,pub.2009)***'

“Companions” continues where “Water is Life” was involved with, finding a village and companions to start with sharing the music and songs and performance. Besides, Touareg’s music is not about a specific remote village, a guitarist, songwriter or not even a band, these elements are only tools for communal sharing, through music, for Tinarwen it often was unclear who all belonged to the band or not. Deeper into that focus, with the warmth of sharing, this new album hangs together more than like a collection of comparable improvised ideas around some song ideas. The music shows warmth in the playing, at times a much groovier moment, the moments of enjoyment, and in this particular case also something of a form of blues, this time not just as an association, but as a real comparison in nature, and this not only in the way the guitar parts are treated (-which are done in a Touareg way, of course-), but also in the vocal parts, just take out the 6th track specifically. Also, it is as if there has been a story told with it, united in voice, lead guitar and band and in the songs and the energy being expressed and coming forward from and being produced with it. The general group sound remains attractive, with all the different guitars, some of them at times only playing a rhythm, note or chord endlessly. A few new ideas occurred too. Like the sort of deep vocal only arrangement in the 10th track, and the last, totally experimental track digging the silent echoing sounds from an electric guitar. The last before track, “Chabiba”, is also surprising : that it suddenly speeds up to great wild heights and energy. A rewarding album, which as a bonus also contains a DVD documenting the recording session.

This DVD is a small documentary which works perfectly as a background setting and illustration, recalling the setting up of the studio, stage and environment in the village, so that it becomes easy to imagine for someone being there as a witness, preparing the moment of the recording with it..

Homepage : http://www.tinariwen.com/ & http://www.myspace.com/172924657
Band info : http://nl.wikipedia.org/wiki/Tinariwen
Label : http://www.independiente.co.uk/
Video on http://www.youtube.com/...
Audio on http://soundcloud.com/... & http://www.piccadillyrecords.com/...
Label info : http://independiente.greedbag.com/buy/imidiwan-companions/
Other reviews : http://pitchfork.com/... & http://www.telegraph.co.uk/..
& http://www.musicbox-online.com/... & http://www.guardian.co.uk/...
& http://www.rootsworld.com/... & http://www.popmatters.com/...
& http://www.musicomh.com/... & http://www.rfimusique.com/...
& http://www.independent.co.uk/... & http://www.rollogrady.com/...
& http://www.bbc.co.uk/... & http://www.thelineofbestfit.com/...
& http://www.spacecityrock.com/... & http://www.state.ie/...
& http://blogs.epicindia.com/... & http://www.contactmusic.com/...
& http://www.indielondon.co.uk/... & http://www.abc.net.au/...
& http://www.rockfeedback.com/... & http://www.epicindia.com/...

Dutch review on http://www.humo.be/tws/cd-reviews/...

DVD->
IndependienteTinariwen : Live In London -DVD- (ML,2008)***'

I also need to mention this live DVD of Tinarwen which very much gives an impression how they sound and look like on stage, colourful and entertaining. As I have read before, it is especially the mini documentary by Gregoire Gosset and Loic Wibeaux which is worth the buy, giving it a bit more background on the band. Additionally one large text has been provided on the DVD with more biographical notes.

Video: http://www.youtube.com/watch?v=jqF7MPYY9sY
Label info : http://www.independiente.co.uk/profiles/blogs/1271691:BlogPost:3972
Other review : http://blogcritics.org/music/article/music-dvd-review-tinariwen-tinariwen-live/
& https://lucidculture.wordpress.com/2009/02/25/dvd-review-tinariwen-live-in-london/
& http://www.sheffieldtelegraph.co.uk/...
Re-AktionIbrahim Djo Experience : Azelman (ML,2011)***'

Ibrahim Djo Experience is a French band with a Touareg guitarist and songwriter. Of course this gives them different foundation compared to most Touareg bands. I especially like the first track, which is worked out most successfully, in an attractive, western alt-rock way, with beautiful atmospheric guitar arrangements. The second track fits with that approach as well, with more up-tempo pop/rock rhythms. For most tracks however the accompaniment is kept rather simple (3,5,7-9), with most focus on the Touareg songwriting without adding much else. On the third track this means the Touareg folk style with the inclusion of hand claps with the guitar remaining close in rhythm and melody to the song and with responding vocals. In general handclaps are being replaced by more simple guitar rhythms. On the fifth track there is some room for the lead guitar to improvise a bit, the band only calmly following the lead of the song. The 8th track “Timtar” almost sounds amateurish in its singing, the electric guitar solos are fine, the backing again is kept simple. Somehow I wished the band had given more of themselves, but I understand the main focus is on Ibrahim’s lead. All songs are sung in Tamasheq language, except for the fourth song, “sous mon arbre” which is in French. This is a light pop/rock version of a song with a Touareg song style foundation, with female French backing song melody singers. The first version of “Blues Du Désert”, still in a song context, has more focus on the guitars in electric blues style, with slide guitar and picking guitar, the last part, recorded like an outro for the album, is only guitar.

Info & audio : http://www.myspace.com/ibrahimdjo
Label info & audio : http://www.re-aktion.com/albums_djo_uk.html
Also on http://www.tamasheq.net/...
World Music Rec.   Etran Finatawa : Introducing (NI,2006)***°

Etran Finatawa is the unique musical blend or combination of the ideas/foundations coming from two different ethnic nomad groups. The band consists of six Wodaabe and four Touareg. The Wodaabe Fulani are known for their festival beauty contest where dressed up men dance for days, and while showing their white teeth and rolling eyes, some of them are chosen by the women to marry. They bring a new complexity to the more repetitive Touareg music under the form of complex polyrhythms, new vocal harmonies, high tenor lead singing with some melodic variation. This makes the details in the basic musical foundation more interesting to listen. On “A Dunya” the guitar style is played as if being played by some ethnic instrument. “Iledeman” is the most rewarding pick-out, a very attractive sing-along song with reggae-like rhythm, a nice emotionally responding rocking electric guitar, and poetry-like lead singing where the language gets an extra attractive sound-base factor, a real winner. Some songs clearly have a bit more Woodaabe influence, especially when they lead the vocals. Also “Ekenan” has longer guitar solos. Although this album is called introduction to, it is already the third recording. It was given as an extra bonus album to the Rough Guide Desert Blues compilation of Nomad bands.

Audio album : http://www.worldmusic.net/store/item/INTRO105/
Info & audio : http://www.myspace.com/etranfinatawa
Band intro : http://en.wikipedia.org/wiki/Etran_Finatawa
& http://www.orientaljazz.com/Etran%20Finatawa-E.htm
& http://www.aliaprod.com/artists/press.php?id=22
Homepage : http://www.etranfinatawa.com/
Intro : http://www.worldmusic.net/store/item/INTRO105/
& http://www.orientaljazz.com/Etran%20Finatawa-E.htm (note:bio link is wrong)
& http://www.aliaprod.com/artists/artist.php?id=22
& http://www.azawan.com/touareg/etran/artiste_pres.htm#english
& http://www.globalbeatfusion.com/african-music/introducing-etran-finatawa/
& http://doruzka.gothart.cz/en/events/2007-06-08-etran.php?id=33
& http://www.theworld.org/2010/09/etran-finatawa-from-niger/
Articles : http://www.spinner.com/2010/06/29/etran-finatawa-tarkat-tajje/
& http://www.spinner.com/2010/06/29/etran-finatawa-tarkat-tajje/ & http://www.spinner.com/...
& http://www.capetownpartnership.co.za/etran-finatawa-nomads-blues-from-niger/
& http://www.globalmusic.fi/index.php?page=etran-finatawa&hl=en_US
Other reviews : http://www.afropop.org/...
& http://www.popmatters.com/pm/tools/print/3078
& http://www.guardian.co.uk/...
& http://globalbeatfusion.blogspot.com/search?q=Walking+Through+the+Desert
Paired album review : http://www.popmatters.com/...
German article with interview : http://www.ard.de/kultur/afrika/etran-finatawa/...       next album->
Riverboat Rec.   Etran Finatawa : Tarkat Tajje / Let's Go! (NI,2010)***

On this new album, which I experienced as being rather short, the band seems to have derived their musical style back to the minimum, which are the monotone head-spinning Touareg songs with hand claps, a lead electrified guitar repeating the song melody lines and simple acoustic strummed accompaniments. The rhythms are steady and have a certain, convincing hypnotic effect. There’s some attention to longer spaces for the lead guitar. The music is still convincing but there are no real surprises of inspiration. Something of the creative surprise, of the complexity in rhythms has disappeared so that the music returned to a habitual sort of inspiration.

Info & audio : http://www.myspace.com/etranfinatawa
Homepage : http://www.etranfinatawa.com/
Playlists of earlier radioshows I did on "progressive Africa" :
http://psychevanhetfolk.homestead.com/files/africa.txt
http://psychevanhetfolk.homestead.com/files/Africa2.txt

Also interesting :

There is now an official website for that great African radio station  LM Radio (Lourenco Marques Radio) which played such an important role in promoting young music in South Africa in the 60s and early 70s : http://www.lmradio.org

East African music sites :
http://biochem.chem.nagoya-u.ac.jp/~endo/EAKilimanbogo.html
& http://members.aol.com/dpaterson/eamusic.htm
About African music styles : http://www.worlddiscoveries.net/African%20Issue/General%20Articles.htm
African music on '45 in UK : http://www.mustrad.org.uk/articles/african.htm
African music articles : http://www.afropop.org/multi/features.php

More Touareg albums : http://www.tamasheq.net/disques.html
& http://www.re-aktion.com/albums_uk.html
Sahel Sounds : http://sahelsounds.com/

Another interesting scene was also Ethiopia in the 70s. Perhaps I will add a few more links about this. The series of "Ethiopiques" opened a new world for me. This music is somewhat jazz related. After some compilations were published, also a few original LP's were reissued now and then.

I gave some attention to the scene in Niger too. Really a shame to see that pirate copying of music in Niger caused more or less the death of the scene to survive well.

More from Mali :

A release by Thee, Stranded Horse with kora player Ballake Sissoko
is reviewed on http://www.psychedelicfolk.com/acidfolkreview28.html#anchor_1063

go to next review page (Mauritania) ->
or go back to progressive music index
or go back to general music index