KOREAN PSYCH/ROCK LP'S & CD'S
(not all has been reissued)

Shin Joong-Hyun / Shin Jung-Hyun / Shin Jung Hyeon

biography intro, LP (1959) ; CD (LP 1959,re.2011), CD (60s-80s,re.2011)
Links to band pages : Actions, ADD4, Cambo, Donkeys, Questions, Golden Grapes,
The Men, Yup Yuns/Coins, Music Power, Senagne/Three Travellers

PonycanyonShin Joong-Hyun : Hichy Shin (SK,1959,re.2011)**°
chosen for possible airplay : Tr.12, 3 min

It is nice to see that the first album of Shin Ju-Hyun is re-released, part of 6 reissues with an original package of a thick carton book box with CD. The music is guitar instrumental with some double bass and drums and sax between jazz-guitar and twist. The music is fine and entertaining but it is directly recorded from an LP and nobody took care in getting rid of an awful hissing noise during the playback so that listening becomes less of a pleasure, partly a torture, I wonder if it wouldn’t have been better not to release it until they knew how to solve this problem. Especially in headphones the effect remains too annoying.

Korean info : http://www.maniadb.com/album.asp?a=101748
Short Biography.

Folkie Jin : "Shin Jung-Hyeon is the Godfather of Korean pop/rock. He started his musical career in 1955. In those days, immediately after the Korean War, so there is few musicians. At 1957 he can play at the US army in Korea. His psychedelic play fascinated US soldiers, some records company said him to make LP. His 1st band Add 4 constructed in 1962. Add 4 is the first rock band in Korea. After the time he started to make hit songs. Kim Jeong-Mi, Park In-Su, Pearl Sisters, Kim Chu-Ja, Im A-Yeong, Jang Hyeon and other singers debuted with the support of Shin Jung Hyeon. They debuted with his hit songs and he became the biggest power in GaYo scene.




ShinJung-Hyeon  1959  HiKi Shin Guitar Melody Compilation

Folkie Jin : His 1st recording in 1959 was cover play of traditional music. This record normal price (M) is a over 400$.

Korean info on http://themen.musicchain.net/?page=69

PS. Notice the photo on the right :
Shin Jung-Hyun here is called "Kinetic Jackie and his electric guitar"...
Shin Jung-Hyun and his "family" collector's records Part 1.

Folkie Jin : "Early Shing Jung-Hyun and Korean first psychedelic group Donkeys and professional rock group Questions and Singer debuted with support of him.
Here are only some of his most important records. He has many records and bootleg records so it is impossible to deal with his all records. Record price stand for mint condition or Excellent condition!"

ADD4
Shin Yung-Hyun & Donkeys
Shin Yung-Hyun & Questions

"After this Shin Jung-Hyun psychedelic style matured. The most interesting records of him are all dating from 1969-1973."

"Only occasionally folk rock in Korea was made by a rock musician. This musician was Shin Jung-Hyun. I think there was no another musician like him in Korea. He made three psychedelic folk rock albums with folk singers. First one is Kim Jung-Mi's "Now"(1973) and Seo Yoo-Seok's "Shin Jung-Hyun Jakpeangok jip"(Shin Jun-Hyun songs collection, 1973) and Yang Hee-Eun's "Shin Jung-Hyun Jakpeangok jip"(1973). I  think that he was interested about adding psychedelic music to folk music by the year 1973. Both albums (Seo Yu-seok and Yang Hee-Eun) were made only sides A by Shin Jung-Hyun. Sides B were composed by other composers. These records were a new experiment for the Korean Folk history."

Shin Jung-Hyun & Cambo Band
Kim Jung Mi
Shin Jung-Hyun & Golden Grapes
Shin Jung-Hyun & Coins/Yup Yuns
Shin Jung-Hyun & The Men

After 1975

Park Jung-Hee (the President of South Korea from at these days a military regime was president of dictatorial government) commanded Shin Jung-Hyun to make the blue house (which is the Korean presidential residence) praising song but he rejected to do so and made the song "Beautiful rivers and mountains" instead,  that praised the beautiful nature of Korea. He was sentenced to prison under the suspicion of drug abuse (Marijuana) in December 1975. He had taken Marijuana only once in former days with some hippies only. The real reason for his imprisonment was not the drug abuse, but the refusal of Park Jung-Hee's command. He couldn't act more musical activities but made records until the 80's, until he died. After all, His best days was ended by other people (Park Jung-Hee).

Shin Jung-Hyun & Music Power
Shin Jung-Hyun & Senagne/Three Travellers







Shin Jung Hyeon 1969  : Green Apple[OST] 

Folkie Jin : He made his first original sound track album whhere he directed all things. This is a musical movie and he gave his songs to some popular singers. so mostly songs style are basically pop and ballad style. This record normal price is a over 300$.

Korean info: http://themen.musicchain.net/?page=62

see also : Shin Yung-Hyun & Actions








About Shin Joong Hyun : "My Job is to Make Rock Music in Korean Style"

A clock hangs upside down on the wall of the underground studio where Shin Joong-hyun writes and plays music. It is a world where he wishes time ran backward so that he could make music for another lifetime. Often dubbed the godfather of Korean rock 'n' roll, Shin says his job is combining rock and traditional Korean music in a way that can be shared by everyone in the world - a job that may not be completed in his lifetime. But he took a giant step in this direction when he released an album in February this year. It is titled after Kim Sat-Kat, a 19th century itinerant poet famous for wearing a conical hat made of roughly woven reed which covered his entire face. Shin wrote and sang all of the 19 songs on the album. The song lyrics are Kim's poems which were originally written in Chinese and have been translated into Korean by Shin. The songs have the rhythm of rock music rendered in the five-note scale of the traditional Korean music. Shin, who also plays guitar capable of producing sounds similar to those made by Korean musical instruments specially built.
"We should create our own music and culture," he said.
"To me, the job is to make rock music in a Korean style. I hope my album will promote our culture in other countries."
The album came more than two decades after he was inspired by the poet who wandered around Korea, writing poems, many of them satirical.
Until the mid-1970s, he wrote hit songs and trained singers like Kim Chu-ja, Chang Hyun and the Pearl Sisters who rose to stardom with his songs. But his musical career plunged into the abyss when he refused to write a song praising President Park Chung Hee, who took power in a 1961 military coup. He was subsequently placed on a surveillance list. Police officers harassed him, questioned him about what kind of music he was writing and playing, prevented him from holding live concerts and even cut his long hair short. He was constantly trailed by plain clothes policeman. At that time, he began to identify with the poet Kim, whose family was persecuted after his grandfather, a county chief, surrendered to rebels in 1811. Disillusioned with the sociopolitical system of the Choson Dynasty, which did not permit members of such disgraced families to hold govern-mental posts, Kim left home at the age of 20 or so and wandered around Korea writing cynical and sarcastic poems about the corruption of government officials, human greediness, the capriciousness of the wealthy and other social ills. The 60-year-old Shin said in a recent interview with Herald Week that he was fascinated by Kim's poems because they were short, simple, with and satirical. Unlike most poems which do not translate smoothly into song, lyrics, he said, Kim's poems became livelier when they were combined with music.
"It was as if they were written to be made into songs," he said. Before writing music for the lyrics, Shin traveled to the places that the poet visited some 150 years before. He also visited the poet's grave. After the tour he felt inspired to write songs in honor of the poet. He said,"It felt like magic that I could sing and play Kim's poems."  He said he believes rock's rhythm, the five-note Korean scale and the sound of traditional Korean musical instruments will appeal to the Korean sentiment when they are put together though they may not be a perfect match.
He is planning to hold concerts both in Korea and abroad to test the musical combination on Korean audience and then foreigners.  "Korean music, which resembles natural sounds like wind, rain and thunder, mingles well with other musical genres (like rock)."  he said.
Shin started his musical career when he played guitar at the U.S.army base in Seoul in the 1950's. He liked rock because it had a strong beat and contained elements of blues and country music. Rock'n'roll is all the more appealing to him because it began as a revolt against the establishment in the 1960's, he added.
On his 40th anniversary as a musician last year, Shin received a tribute album from young Korean rock musician, the first in Korean musical history. The young musicians, who included Shin's three sons, also held a concert in his honor. Shin said he hopes young Korean musicians will create their own music that has emotional depth and inner strength. "Our traditional music may sound too simple. But if you listen to it again and again, you will feel its depth," he said."We need to establish our own culture before jumping to adopt Western culture."

-Herald Week 1998. Interview by Kim se-yoon-
Light In The Attic Rec.  Shin Joong Hyun : Beautiful Rivers And Mountains
-The Psychedelic Rock Sound Of South Korea’s.. -(SK,1958-1974re.2011)***°°
Light In The Attic Rec.Shin Joong Hyun : From Where To Where: Digital EP (SK,1970-79)***°°

Although I did my best to promote Shin Yung Hyun’s music before anyone ever knew his contributions to music over here for way too long. Only a handful of Korean reissues were distributed in very small qualities in the west (Kim Yung Mi to start with, SJH& The Men, besides small attention to a few other bands like He6 and San Ul Lim for instance), I was still surprised to see finally a final real effort of a reissue of any kind for the western market. To some degree I still need to say : what took so damn long ?  This compilation is an official compilation with the help of the artist, and with his own choice of songs. They are representative, several I would have chosen as well and are not to miss, a few other essential tracks are too lengthy, large tracks to include and just a few I am not sure why these got a preference although each track is good, Shin Jung-Hyun in reality has assembled a very impressive repertoire, a fine contribution to the psychedelic scene with a certain range in guitar style, and small Korean flavour interpreting in a very personal way the very essence of progressive minded rock, psychedelia and creative crossover abilities.
With this new release I have also read for the first time a more complete biographical story, which, needless to say, still is about painful moments for an adventurous and exceptional and powerfully expressive talent (with stories of poverty, being cheated, about commercial commitments to individual singer’s releases without too much gratitude afterwards, and with the painful story of being sent to a mental hospital and then imprisonment by the new dictator because he refused to make a  song praising him, and about being released in a changed world which was only open to dance music). Here we’re with no doubt talking about the most talented artist in Korean pop/rock music. A compilation like this is only a fair starter. His choice of tracks was in fact a bit bigger than one CD, the other tracks were assembled in an additional digital only release.  What Shin Yung-Hyun would really deserve is a box-set with all his releases. Luckily I was able to trace many of the Korean reissues from over the years, some of them are already no longer traceable. Readers of this online magazine can always contact me for a recommended list and addresses where to find the other reissues, I would be happy to provide all the information.

PS. Every listed track also has the appropriate background explanations in the booklet. Highly recommended to all real psych lovers. I personally prefer to collect Korean releases more than Japanese examples from the 70s.

Audio on http://soundcloud.com/... & http://www.rushhour.nl/.. & http://www.hhv.de/...
& http://www.honestjons.com/...
Label info (with audio) : http://lightintheattic.net/news/?tag=shin-joong-hyun
& http://lightintheattic.net/artists/363-shin-joong-hyun
& the releases : http://lightintheattic.net/releases/... & http://lightintheattic.net/releases/...
Articles : http://www.guardian.co.uk/music/2011/sep/15/shin-joong-hyun-korean-psychedelic
& http://southernrecorddistributors.wordpress.com/...
& http://www.spincds.com/...
& http://www.musicomh.com/albums/shin-joong-hyun_0911.htm
SJH interview : http://www.weiv.co.kr/view_detail.asp?code=interview&num=1761
Sjin Young-Hyun fanpage : http://www.sjhmvd.com/ (with audio !!)
& http://home.kidp.or.kr/1998/shinjh/
Japanese page : http://homepage1.nifty.com/musicsite/joong.html

English article : http://home.kidp.or.kr/1998/shinjh/eng/eng.htm
& http://www.npr.org/templates/story/story.php?storyId=94247883
If anyone knows more about this artist/this release or would like to review this item, please e-mail me
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