AFRICAN PSYCH, MIXED STYLES AND CROSSOVERS FROM
MAURITANIA
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El Hadrmy/Hadrami Ould Meidah ('73/'11)
V.A. : "Wallahi Le Zein!" (?)

Mississipi Rec.       El Hadrmy : Kamlat/La Mone (MR,1973,re.2011)****

Written as El Hadrmy this is in fact Hadrami Ould Meidah, leader of the Mauritian band L’Orchestre Nationale. Hzadrami showed a vision of how to create a modern sound first by incorporating a brass section and electric guitars (see the youtube video from the film “Terjit”) but retaining traditional instruments like the lute-like Xalam or Hoddu and the Mauritanian flute, the Neyfara. This 2-track recording (a smaller band without the brass section) was produced in Lebanon during a live performance. All its 500 copies were given away before a second print, which never came because of the Lebanon war.

If I want to describe it I would say that the singing on the first track of the 33rpm 7” could remind me easily of the Ethiopian singing, but for the slow dance rhythm and the electric guitar one could be more remincent of the later Touareg guitar explorations a bit too. The voice leads with some bass and with the flute responding, the electric guitar only providing accents. But then the rhythm changes suddenly up speed, groovier and with complex polyrhythms and more electric guitar improvisations. It is a new song about the new independent currency of Mauritania.
The second track, which starts with a rather traditional flute solo, then with an up-tempo rhythm, rhythm guitar and singing, this also goes for a certain Arabesque dance swing immediately. The included rhythms are complex, with bass and percussion, the guitar sometimes responds, accompanies then adds some electric solos against and with the lead singing. The lyrics (in Arabian) are an old poem written for one of the Emirs of Mauritania who was forced to get an amputation from a war wound, a poem which helped him to agree with that decision.

Audio on http://ghostcapital.blogspot.com/2011/07/lorchestre-nationale-de-mauritanie.html
Full info &  audio : http://sahelsounds.com/?tag=hadrami
Shortened info on http://eggyrecords.blogspot.com/
& http://www.twitteringmachines.com/tag/mississippi-records/
Video : http://www.youtube.com/watch?v=OrmR4cq-zM4&feature=player_embedded
Distribution : http://littleaxerecords.weebly.com/
Deye Ould Amartichitt
Jeich Ould Chighaly
Mohammed and Haroun
Latitude   V.A. : Wallahi Le Zein! -2CD- (MR,80s-'10,comp.2011)****'
-Wallahi Le Zein!! Wezin, Jakwar And Guitar Boogie From The Islamic Republic Of Mauritania-

Compiler Matthew Lavoie has spent endless time and effort in compiling this double CD paying tribute to the Mauritanian nomadic based Haratine/Beydane electric guitarists whom you only hear playing at invited occasions like weddings, birthdays, baptism and political rallies. Falling in love with the music he made the effort of making some studio recordings with some of the musicians too but the effect wasn’t the same. Instead he compiled this double CD from around 700 tapes he collected on the local markets. Most of these tapes were taped primitively on the occasion like little souvenirs; most of them were of too bad a quality. However, when taking out the highlights he managed to make the magic of the music reappear. A two CD compilation in this way isn’t really too long. You thoroughly are dragged into it like with a hypnotic event. The music is just slightly comparable to the electric recordings from the Touaregs, which Sublime Frequencies reissued before. Here is only more effort put into in it, having only kept the great moments of the recordings. There are slower improvisations, more distorted, parts with more wahwah effects, with singing over it, in solo voices, dual voice or some in group or with backing vocals, the percussion is handclaps and a steady rhythm on percussion box-like hand percussions. There’s a sort of Arabesque singing performed with the guitar able to do the same things as well.

There’s a 28-page booklet included with some history on Mauritian guitar playing from the 70s until now, with the story about the research and with some background about the chosen tracks, and with some glossary of important words used in the context, and of course some photographs.
An important document of historical and musical value.

Audio on http://www.honestjons.com/...
Other reviews : http://pitchfork.com/... & http://aquariusrecords.org/..
& http://exystence.net/... & http://www.exacteditions.com/exact/browse/435/493/8039/2/66
Other description on http://www.shinybeast.nl/...

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